AudioDamage plugins - impressive!

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Anonieme Analogist
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17 januari 2003
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... zien er erg goed uit en de demo's klinken ook luxe, maar ik kan eigenlijk niets erover vinden op dit forum!

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A complete modular multi-effects rack in VST form! Ronin, featuring two delays, two multi-mode filters, two tube saturation stages, and two LFOs, with a fully routable signal path, is a total solution for analog-style effects. With "bucket-brigade" modeled delays, Ronin is capable of tape-style delays, true analog chorus effects, and flanging in to the stratosphere, for everything from basic subtle synced delays to complete audio destruction.

Delay Modules: Modeled after traditional analog bucket-brigade style delays, the delays in Ronin pitch the signal when the time is changed, enabling pitch bombs, chorus effects, pitch-bend flanging, or tape-style delays with time flutter. Both delay modules have sync to host, infinite loop, and reverse modes, as well as positive (more than 50%) feedback for overloaded feedback effects.

Filter Modules: Ronin's filter modules are multi-mode filters with notch, lowpass, bandpass, and highpass outputs continuously variable, and are capable of self-oscillating, for creating synth effects in high resonance situations.

LFOs: The pair of low frequency oscillators in Ronin have four shapes: sine, sawtooth, pulse, and random. The shape control continuously varies the waveform. The LFO rate is a mod destination, so the LFO can mod itself, for very extreme waveform shapes. Both LFOs can be synced to MIDI host, and the second LFO's waveform can be reset by the first LFO.

Saturation Modules: Ronin features a pair of "tube" saturation stages, for everything from subtle smoothing to extreme tube-style distortion.

Routing Matrix: The matrices in Ronin enable full control over the signal path. Both audio and control can be routed as the user desires. In the case of audio, extreme patches are possible; nothing is forbidden. Want to route the filters back in on themselves? No problem. Want to insert distortion and resonance in the feedback loop of the delays? Help yourself. Ronin puts the routing in your hands.

MIDI Learn: Every control on the Ronin UI can be controlled via external MIDI devices. A simple key-click combination puts the UI element in learn mode; twist the knob on your controller and you're done. Another combination removes it. Simple as that.

MIDI as mod routing: MIDI note, mod wheel, and gate can be used as mod sources, in addition to the MIDI learn mode. These are available as patch points in the routing matrix.

Envelope Follower: Another mod source is the envelope section, which creates control signals from the input level of the plug-in, with separate sensitivity, attack, and decay controls.

Optimized performance: Ronin features low CPU usage, on par or better than similar plug-ins, due to its fully optimized code.

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A dark digital reverberator, Deverb is a clever implementation of the reverb paradigm. Featuring twin filters for extreme shaping of the reverb tail, and unique MIDI controls allowing rhythmic "playing" of the effect, Deverb is in a class by itself. Finally, a reverb built specifically for electronic music!

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Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone's first analog delay unit, without ever having to change batteries!

As anyone who has owned this unit (which is just about everyone...) knows, it was actually an analog delay, and we've done our best to exactly replicate the sound and quirks of the original. We've even modeled the distortion that occurs by running a line signal in to the mic inputs.

The Ratshack Reverb won't give you the pristine shimmering room sound you're looking for, but it will give you the ability to create unique sounds that sit in the mix with just the right amount of "WTF?"


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Audio Damage's Phase Two plug-in is a perfect digital recreation of the Mutron Bi-Phase, one of the most sought-after vintage phaser units, highly prized for its liquid and subtle stereo phasing abilities.

Phase Two features two separately controllable 6-stage phasers, and like the original unit, these two phasers can be routed in series or parallel, for everything from subtle stereo washes to full-blown alien attack. Using the extra CC feature, which takes the place of the "Opti-Pedal" in the original unit, you can manually sweep the phaser frequencies with a MIDI controller, such as a mod wheel or aftertouch.

The cel-shaded user interface of Phase Two matches the original unit in every respect, right down to the footswitch, so anyone familiar with the vintage unit will feel right at home using the digital recreation. Every object on the interface has Audio Damage's standard MIDI Learn feature, so the unit can be fully controlled from external hardware controllers.

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The Audio Damage 907A Fixed Filter Bank plug-in is a faithful recreation of the Moog Modular Synthesizer's 907A module. This plug-in creates a variety of tonal effects by passing its input signal through eight band-pass filters, one low-pass filter and one high-pass filter.
The 907A is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. It is an excellent tool for the sound designer's palette, simple to use yet capable of complex and unique timbres.

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The DubStation plug-in is modeled on the "bucket-brigade" style of vintage delay units, and has all the mojo that made those boxes great. Accurate down to the warm sound of the feedback loop and the low-fidelity character of the originals, DubStation is just what the (witch) doctor ordered.

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Discord v1.5 takes our best-selling Discord plug-in to the next plateau, with customer-requested additions that expand on the original Discord feature set of vintage-style pitch-shifting and delay effects.
The Discord pitch-shifting model is a perfect copy of the first mass-produced digital pitch shifter, perfect for everything from subtle vocal doubling to Low/Lodger snare sounds to extreme pitch-bomb feedback effects.

En als laatste, GRATIS te downloaden:

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FuzzPlus2 is an update of our popular free download Fuzz+. The basis of the plug-in is a transform model of a famous vintage fuzz pedal.

Er staan nog veel meer VST effecten op de site: http://www.audiodamage.com/index.php
Iemand ervaring mee?
 
Laatst gewijzigd:
ik heb er van mensen goede verhalen over gehoord
tot nu toe vooral over die dubstation!
 
Fuzzplus klinkt als als een standaard goedkope digitale distortion. ruk dus.
En die moog filter vind ik ook waardeloos......maarja ik gebruik nu frantic voor het filterwerk.
 
Fuzzplus een tijdje op mn PC gehad : niks bijzonders,onbruikbaar...
 
laat ik deze ff kicken aangezien ik dit mss wil aanschaffen

de prijs is echt belachelijk laag vergeleken met andere plugins
en de meeste klinken erg goed en zeg zelf 125,- voor 4 plugs plus minus is geen geld :)

zijn er wat gebruikers die enkele demos kunnen plaatsen naast de gene die al op de site staan van AD ?
 
FuzzPlus was de freeware plug, dat zal de reden zijn dat ie wat matig is, hehe
Ik vond er zelf ook geen zak aan.....

De Phase2 vind ik wel lekker, beetje een Mutron idee

Replicant is voor alle glitch en Aphex Twin freax zeker aan te raden...toppertje en iets wat je nu eens niet in HW ook kan doen
 
fuzzplus2 is een hele bruikbare distortion (vind ik) verder ben ik groot afnemer bij AD :halleluja

prima bedrijfje, staan open voor suggesties en de kwaliteit<>prijsverhouding is echt top bij hun, kan menig groot softwarehuis een voorbeeld aan nemen
 
Deze wil ik wel weer eens een kickje geven.
Iemand die nog aanvullende info heeft over AD plugins? Ik heb er nooit mee gewerkt maar ik vind de specs van sommige plugins heel interessant.

Meningen graag of liever nog mp3'tjes!
 
Iemand Kombinat al geprobeert? Ben benieuwd naar de EQ vooral...
 
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