Na overstap naar Logic heb ik de boel redelijk goed draaien, alleen mis ik de VE-suite van Samplitude heel erg. Vooral de Filtox vond ik echt een feest, weet iemand een goed audio-unit alternatief?
Hier een korte beschrijving van Filtox van de samplitude website, om een beeld te geven...
"
Much like CORVEX and ECOX, FILTOX is also a "modulation effect". Here though, everything relates to frequency response deflection: a modulation source controls two filter units. Possible areas of application are synthesizer sounds (filter sweeps on pads) or creative distortions of drumloops (e.g. for variations, fills, etc). With guitars you can create typical 'wah' effects: either by tempo modulation or in a special mode, modulation via the signal envelope curve.
The 'core' of FILTOX is a stereo multimode filter based on an analogue model (Chamberlin 2-pole filter), which, for example, is known as the "Oberheim" filter. With FILTOX, two such modules were cascaded per channel to achieve a switchable 24dB slope.
Our digital model of the filter is designed correspondingly so that it delivers the typical "analogue" sound character, but it's especially useful if you want to use internal overmodulation. Here interaction between cut-off frequency and resonance occurs, which makes the sound appear "undigital", in a positive way though."
Dat dus...
Wat ik vooral erg fijn vond was dat je em zo kon instellen dat ie om de zoveel tellen binnen een gesteld kader een andere filterinstelling aannam wat de boel heel levendig maakt. Dus elke zoveel bars of counts klapt het filter om binnen jouw grenzen zeg maar.
Hier een korte beschrijving van Filtox van de samplitude website, om een beeld te geven...
"
Much like CORVEX and ECOX, FILTOX is also a "modulation effect". Here though, everything relates to frequency response deflection: a modulation source controls two filter units. Possible areas of application are synthesizer sounds (filter sweeps on pads) or creative distortions of drumloops (e.g. for variations, fills, etc). With guitars you can create typical 'wah' effects: either by tempo modulation or in a special mode, modulation via the signal envelope curve.
The 'core' of FILTOX is a stereo multimode filter based on an analogue model (Chamberlin 2-pole filter), which, for example, is known as the "Oberheim" filter. With FILTOX, two such modules were cascaded per channel to achieve a switchable 24dB slope.
Our digital model of the filter is designed correspondingly so that it delivers the typical "analogue" sound character, but it's especially useful if you want to use internal overmodulation. Here interaction between cut-off frequency and resonance occurs, which makes the sound appear "undigital", in a positive way though."
Dat dus...
Wat ik vooral erg fijn vond was dat je em zo kon instellen dat ie om de zoveel tellen binnen een gesteld kader een andere filterinstelling aannam wat de boel heel levendig maakt. Dus elke zoveel bars of counts klapt het filter om binnen jouw grenzen zeg maar.
