Electrocomp EML-200 + Korg SQ-10 Sequencer [

[R-ond]

Electrocomp EML-200 + Korg SQ-10 Sequencer Demo 1
http://www.youtube.com/watch?v=f_eEshz_JXs&NR=1

deze lijkt me egt bruutje de 400 serie
http://www.youtube.com/watch?v=7YHjpZc7hRQ&feature=related

ik vraag me af na deze you tubes vaak voor te hebben zien komen in mn modulair luister sessies ...haha ...of dat er gasten zijn die ervaring hebben met EML tis best een niet soo bekend merk ,... denkik vooral in NL.
ik dnk dat t een erg spartaans apparaat is en daardoor flink sound potent waardig
maar kzie lees / hoor der nergens wat over ,...?
on bekend denk ik beetje in nederland
mij lijkt t voornamelijk door de semi modulaire structuur en de iig niet moog achtige sounds [meer arpie achtig iig flink raw ] lijkt dit bv een stuk intressanter dan bv een ms20 + ms10 setje wat tegen woordig flink prijzig is

hieronder prop ik wat eml links
kijk en so en react asje dr wat aan toetevoegen hebt
http://www.synthmuseum.com/eml/eml10101.html ....pix ook


bv een system 100 101+1023 /. arp 2600
zijn erg prijzig
ik ben eg benieuwd wat bv een setje eml bv de400 mag kosten ...?
thnxzzz .........

 

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niemand enige ervaring ermee
fette shit lijkt t me
aleen kheb geen idee hoe en wat aan waarde en oft egt iets anders dan - byzonder is ...=

bv modulaire spullen ala eml waren niet volgens mij * bv net as de rest ¨soundlab - formant enz *... cem - ssm chips based ...
net as dat rolands in zn system 100m ook custom roland jp8 chips heeft ,...

vandaar deze ..shout out
heefter iemand ervaring - verhalen over t eml spul en ist iets byzonders tov ,...

 

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https://www.synthforum.nl/forums/showthread.php?t=111501&highlight=eml

eml 200

blijft tot mijn verbazing werken dit merk
de een vin m lilijk/ de ander weer mooi
ik vin soon eml101
in rechtop staande box met de 4osc en arp achtige layout van knobbies erg tof
de 401 met deurtjes ook erg tof

kijk hier eens naar zojuist rontdekt op facialbook a unit van meerdere eml 101s en al 30 jaar in zn bezit
weird ..kinda synth , erg vettie groter dan mc beth

 

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vetter dan dit ....wordt t nioet meer vandag denkik

 

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https://www.synthforum.nl/forums/showthread.php?t=97089&highlight=eml
nogmaar draadje van eml erby posted
watn ..shizzle

isdus 1.2 volt p/octave iets om rekening mee te houwen

en casparrrrrr..lukt t al eml ..vc,a..integreren


die foteaux van die griote eml = dus eml ;EML Collage consisting of 1x EML 400/401, 2x EML 416, 1x EML 200 and 2x EML 300

 

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MODSZZZZZ

MAG DEZE DRAAD OMDAT K HIER EEN VERZAMEL EML DRAAD VAN MAAK VERANDERDT WORDEN IN GROTRE EML DRAAD!!!!!

aangezien k topicstartert was ..vink datk t mag

 

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https://www.synthforum.nl/forums/showthread.php?t=18603&highlight=eml
nog wat eml ebay geneuzel 2003

http://www.vintagesynth.com/eml/eml200.php
Connecticut based Electronic Music Laboratories (EML) was most known for producing synthesizers along the same lines of Moog and ARP, but most EMLs were destined for the educational market. The ElectroComp 200 was one of EML's first synthesizers, introduced in 1969. It's old school but has very sophisticated features for the time (such as a Wave Shaper and stereo sound). It is monophonic and includes two oscillators, independent high- and low-pass filters, two ring modulators, an LFO with sample-and-hold, stereo panning, and built-in spring reverb. The front panel of the 200 is nicely designed and laid out (they can be found in either silver or blue, as seen here). There are 31 mad-scientist-looking knobs and over 60 patch points! With a little patching, even people new to analog synths will be able to start getting sounds out of the 200—it was originally intended for use in educational institutions.

Note however that the EML 200 is keyboard-less, making it more like an Expander module designed to interface directly with other EML equipment. Most notably, with the Model 300 manual controller which offered a 4x4 key matrix, pitch knobs, and an oscillator with envelope generator and VCA of its own. Today, you can use the 200 with analog synths other than EML with the properly modified CV/Gate connections and converters (its oscillators are a non-standard 1.20v/oct). The EML 200 today is most valuable as a collectors item rather than a piece of studio kit, due mostly in part to its rarity in relation to the more popular Moog and ARP instruments that it is comparable to, as well as being surpassed by the more common ElectroComp 101.

 

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https://www.synthforum.nl/forums/showthread.php?t=73786&highlight=eml
nog oud draadje eml

the 101

The ElectroComp 101 was the successor to the rare ElectroComp 100 from Electronic Music Laboratories (EML), a small synthesizer company based out of Connecticut in the USA. Like the ARP 2600, the 101 was a patchable (1/4'' patch cords) semi-modular synth with a pre-wired voice path that could be over-ridden via patching. But unlike the ARP (or Minimoog for that matter), the 101 had as many as four oscillators (two of which could go sub-sonic, for use as LFOs) with multiple waveforms that you could sweep between using its rotary knobs. The 101 was also Duophonic so you could play up to two notes at once. Another major distinction was that unlike Moog and ARP, who used transistors that would tend to drift out of tune under various operating temperatures, EML used op amps which proved to be far more stable and reliable.

Other onboard features included a voltage controlled 12 dB/oct multi-mode filter with resonance, two envelope generators, ring/amplitude modulator, noise, and sample-and-hold (they call this the "Sampler"). In addition, the 101 makes no distinction between control voltage and audio paths allowing just about any source to be patched to any control or audio input in any order. The 101 could easily be closed, secured and carried inside its wood casing.

In its day, the 101, as most of EMLs instruments, were marketed and sold to universities and other educational markets. But with the 4-oscillator architecture, multi-mode filter, and elaborate patch control, the EML-101 was undoubtedly one of the most flexible of all of the portable patch-synthesizers available at its time of manufacture. So it did not take long for it to find its way into mainstream music. It has been used by Skinny Puppy, Tommy Mars, Download, Weezer, Foreigner, and Ohm.

* Specifications
* Polyphony - Duophonic
* Oscillators - 4 VCO's (2 go sub-sonic, with multiple or variable waveforms + noise)
* LFO - 2 via using the oscillators which can go sub-sonic
* Filter - voltage controlled multi-mode 12 dB/oct filter with resonance and switchable low, band and high pass
* VCA - 2 ADS Envelopes
* Keyboard - 44 keys
* Effects - ring/amplitude modulator, sample-and-hold
* Control - CV/Gate
* Date Produced - 1972 - 1982
* Est. Value - $500 - $1,500

[ ps blijft leuk die prijzen de website vernieuwen ze wel de prijzen ??? ]

 

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http://www.synthtopia.com/content/2010/10/23/electrocomp-model-500-eml-500-analog-synthesizer/
eml 500 a oddy alike synth ???

met youtube demoo
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Electrocomp Model 500 (EML 500) Analog Synthesizer
23Oct10
Send to a Friend Send to a Friend | Feed for this Entry | Filed under: Keyboard Synthesizers

Saturday Synth Porn: This video, via DigitaleAnalogue, offers a sonic tour of the deep and delicious Electrocomp 500 (EML 500) – a 70′s dual-oscillator monophonic synthesizer.

Features of the EML 500 include:

* 3 1/2 octave keyboard
* Dual VCO’s
* Noise generator
* Multimode VCF (low-pass, band-pass, high-pass)
* Sample & hold
* Ring modulation
* LFO
* CV/Gate control

All that, plus awesome seventies-tastic styling, equals one funky synth.

Is the EML 500 an underrated classic? Check it out and leave a comment with your thoughts!

 

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whoooo en whoooo dees lijkt beetje op ouwe arp bleu/ en de eerste emu synth

* Specifications
* Polyphony - 2 voices
* Oscillators - 4 VCOs, 1 Noise Generator (white/pink)
* Waveforms - Sine, Square, Saw, Pulse, Triangle, Random
* LFO - Use one of the oscillators
* Filter - 12dB/octave; Low pass, Band pass, Band Reject, High Pass. Cutoff and Resonance.
* Envelope - 2 ADS envelope generators, assign to oscillators and filter
* Effects - Portamento
* Arpeg/Seq - None
* Keyboard - 44 keys
* Memory - None
* Control - CV/Gate
* Date Produced - 1970 - 1972
* Est. Value - $7,000




Electronic Music Laboratories (EML) was a company out of Connecticut in the USA that produced compact semi-modular synthesizers, primarily for the educational market. At the time (late sixties, early seventies), analog synthesizers were an electronic engineering wonder and Universities seemed just as viable a market (if not, more so) than the local corner music store. The first "ElectroComp" series instruments to come from EML included the 100, 200 and 300.

The ElectroComp 100 is a duophonic keyboard-equipped synthesizer (one of the earliest polyphonics) designed to compete with the Minimoog and ARP 2600. But unlike Moog and ARP, who used transistors that would tend to drift out of tune under various operating temperatures, EML used op amps which proved to be far more stable and reliable. The 100 features very clearly laid out controls with rotary knobs and most of its patch points located along the top of the panel. It has four oscillators—that's more than the Minimoog—and they featured continuously variable waveform selection from a variety of sine, saw, square, and pulse-width shapes. It has a multi-mode filter with low pass, band pass, band reject and high pass modes. Two Attack/Decay/Sustain Envelope Generators. White and pink noise generators. A "Sampler" section provides sample-and-hold functions. Effects like Portamento. External audio inputs to the oscillator mixer, filter and output mixer sections, and control inputs for up to two keyboards and filter control. The 100 could easily be closed, secured and carried inside its wood casing.
EML ElectroComp Model 100 Image

Being among the first synthesizers from a relatively new company meant that there were not a lot of 100 models produced, and therefor the 100 is very rare. The 100 was produced over a relatively short time period, from 1970 to 1972, when it was replaced by the better-known ElectroComp 101. The 101 was in production for a decade. Common sense would seem to dictate that the 100 was the first model EML produced, followed by the 200 which appeared to be an expander system for the 100. Perhaps this was the intention during the conception of these models, however, the 200 apparently came first in 1969, immediately followed by the 100 in 1970. EML also moved from the blue-face models (pictured) to a brushed-silver face design.

 

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ookleuk een egte brochure ...voor die hardzzzzzzzz
\
voor de oplettende lezer ;
EML ElectroComp 101 brochure from 1976 (estimated).

Okay - I think I've let enough time pass that I've gotten over my little obsession with EML advertisements that I blogged about in December 2009.

This ElectroComp 101 brochure has definitely seen better days, but since I've only ever seen the front page of this brochure online, I thought some people might find the rest interesting - especially those interested in the specs of this machine.

But, before I get to the specifications listed on the inside of the brochure, I just have to make a few comments about the front page.

First - take a look at the image of the ElectroComp 101 on the front (and on the inside). They look normal enough, but, if you do a quick Google-images search for this synthesizer, you will notice that many of the other images of ElectroComp 101s that you see on the 'net have one extra feature. You will notice two cords running out of the bottom left-hand corner of the front panel.



Check out these images and compare:

* Vintagesynth.com photo
* Gearslutz photo
* Sequencer.de photo
* This flickr photo has at least one other customized cable running from it.
* Even the EML advertisements I've featured on my blog have that second cable.

I'm not at all familiar with this synthesizer, so someone else is going to have to clue me in. Mark Vail's book 'Vintage Synthesizers' does suggest that over the ten-year life span of the 101 there were some internal improvements made, but "the functionality of the instrument remained about the same from day one".

So, what is this second cable?

Second, and more fascinating, is the style of writing used on the front page. Even EML admits it - the text on this page is very 'cocky'.

Best this..., best that.... EML 'gives' us the best... .

That is a far cry from the ad-copy that is found in the advertisements in Contemporary Keyboard magazine where they are much more laid back - kinda like 'hey, if you are checking out synthesizers, you may want to check us out too'.

Normally this kind of talk would turn me off. Especially since they admit in this brochure that they are not really sure if they are 'number 2 or number 3 in synthesizer sales...'. (Are they just guessing...?)

But, read through the specifications section on the inside of this brochure, and you start to think that maybe they have reason to be cocky with all the features they have crammed into this little beast of a synthesizer that went for under $1500 at the time. Four oscillators. Sample and hold. Multi-mode filter. External input. And most importantly - a patch panel!

This really is quite the synthesizer!

Who knows... maybe I'm just too easy on 'em.

End note: before I sign off, I just have to comment on the fonts used in this brochure. I've stated before how much I love the font used for company name - 'electronic music laboratories inc.'. You can see this font in action on the back page of this brochure.

But, I gotta say, the font used on the bottom of the front of this brochure for the text 'ElectroComp 101 $1495' is also fantastic. Seriously. If nothing else, EML was a funky company.

I don't think I've seen EML use this font before, so I'll have to check my other EML reference sheets/advertisements for more evidence of the use of this font.

Stay tuned for more scans. :o)

http://retrosynthads.blogspot.com/2010/03/eml-electrocomp-101-brochure-1976.html

 

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http://www.sequencer.de/blog/?p=2660

EML Electrocomp 200 + 300 controller

EML Electrocomp 300
kind of sequencer but “pocket calculator” style keys..
with 1 VCO

 

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was popu toen een record maken voor de demo

 

[sms303]

en casparrrrrr..lukt t al eml ..vca..integreren

We zijn er mee bezig Ron
Volgende soldeersessie wordt troubleshooten ....

Sinds kort staat de EML100 op vintagesynth.com. Deze is mooi blauw, net als de E-pro minisynth

Nadat ik op Youtube EML 101 filmpjes had gekeken zocht ik voor de fun op Ebay naar EML. Het geluid, lekker kapot gemaakt en schreeuwerig vond ik erg goed klinken. De modules heb ik een paar maanden geleden gekocht van Nonamewanted, is een vriendelijk gast btw. Helaas had hij niet het juiste schema ervan en ik vermoed dat hij hierdoor nooit met de modules aan de slag is gegaan of kon.

De eerste modellen van EML zijn zonder SSM chips en er zat geen resonantie op het filter. In de beschrijving die ik van George Mattson heb ontvangen staan de resonantie en draaiknop om te switchen tussen low- en highpass modificaties beschreven.

Maar voordat we aan het VCF gaan beginnen moet eerst het VCA helemaal werken ...
Verdere updates komen in de EML modular maken draad te staan


Edit:
De demo plaat komt nog uit de tijd dat synths als akoustische instrumenten moesten klinken.
Op dutchsynth.nl (Synton site) staan volgens mij ook demo platen van de Syntonovox vocoder....

 

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[VintageWorks]

Filmpje van de 101: http://www.vimeo.com/18891283

 

[sms303]

verder hypen die zooi

 

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http://matrixsynth.blogspot.com/2011/01/george-mattsons-eml-sequencer.html

wat new eml pixios
flash / flickr

erg coolle alu front

 

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http://www.flickr.com/photos/jobenbelgium/3950807018/

EML 200 view inside

View on the case from the EML 200.Has a large reverbtank.