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Custom Modcan met minjacks
- Thread starter mono-poly
- Start date
- Status
mono-poly
Cheff Noodle
- Lid sinds
- 9 mei 2002
- Berichten
- 12.985
Ok even overzicht van de modules.
01. Gate Sequencer
Cha Cha Rhythms are a natural for this Ken Stone designed Pattern Generating Sequencer!
Instead of having rows of knobs for adjusting analog voltage output levels like a traditional sequencer, this Aussie Cat Girl Synth creation features rows of three-way switches for timing decisions instead...
The Gate Sequencer has 48 possible combinations per measure via two independent rows of switched gate and trigger outputs. It's simply hard to stop dancing when this thing is running!
Useful for polyrhythmic adventuring wherever gates, square waves, or leading edges can be found!
02. Sub Mux Deluxe
This module addresses those on a quest for a seriously beefy bottom end! Not only does it extend bass frequencies a powerful four-octaves below the signal that you feed into it, but each of the sub octaves has a level knob so you can control the mixed output like the drawbars of an organ.
Of course, you can flip the Mode Switch to engage a total of four internal ring modulators, which can really put some "heavy" in your heavy metal!
We've combined Paul Schreiber's awesome Sub Octave Multiplexer with parts from Scott Juskiw and Richard Brewster to create a souped-up version of the original module.
The new Cynthia Sub Mux Deluxe adds individual outputs from each of the four sub octave generators, (useful in stereo and quadraphonic applications), so now each of the four sub frequencies can be processed separately throughout your system!
This limited edition module features a new Staircase Waveform Output offering a binary weighted sum of the four subs which generates patterns and simple voltage sequences. Adjustments are can be made with an AC/DC Coupling Switch, and an LED is provided to monitor these patterns.
You really can get quite a range of sounds with this classic circuit - powerful sounds that range from thunderous house rattling bass, to massively klangourous hash sending everyone running for cover. Please use this module responsibly!
Buy one for yourself today and experience the thrill of raw bass power!
03. Quad Bandpass Filter
Four very simple filters with manually adjustable center frequency and resonance. Generally they're set and forget, letting the incoming audio do all the work! No precision or voltage control here, but they sound great, and they're good for example for setting-up artificial resonant cavities when modeling virtual instruments.
While a different actual circuit, this module is presented in the spirit of the early Buchla systems, which obtained part of their unique sound by employing lots of simple bandpass filters such as these.
This Quad Band Pass arrangement is presented in the same format as our popular Quad Low Pass Gates so that they may work either independently or together in your quest for that signature sound.
04. Sawtooth Animator
Turn the sound of one lone oscillator into seven!
(Your ear or an oscilloscope simply can't tell the difference between this module and a whole rack of seven VCOs tuned in unison!)
This amazing Bernie Hutchins circuit has been admired by Designers for years as a true electronic engineering marvel, (Of course here at Cyndustries we could not simply leave well enough alone, click here for Mark Barton's "Full Story" on what makes this one superior to previous designs).
It's optimized for a sawtooth input, but any single waveform with a slope going into this thing... comes out as a super fat three-hundred pound gorilla of waveforms!
There is even "Voltage Controlled FAT" (Imagine That!)
Many of us have spent years auditioning low pass filters on the quest for that super rich monster powerful sound, well... I believe you will find the Cynthia Sawtooth Animator to be the secret weapon that will push your sound over that crucial edge!
More than simply a chorus circuit, the Animator effects range from creamy lush sounds to totally wacked-out warbling, and as a bonus, there's a cloud of front panel outputs from the six internal LFOs that automatically track the frequency of the incoming waveform. (With two oscillators and two of these new Sawtooth Animator modules, you can spread the cloud of LFOs or bring them into focus together simply by controlling the frequencies of the two incoming oscillators).
The audio output waveforms vary from staircase waves to multiple mountain peaks and add sophistication and raw power to your music.
A slam-dunk "Must Have" Module for any synthesizer!
"It's absolutely clear that this is a world-class timbre fattener"
"Doktor Bob"
06. Triple Resonance Filter
Based on the original Korg PS-3100 filter design this version has been greatly improved and modernized by Paul Schreiber and Jurgen Haible.
It is a sophisticated module that contains three voltage controlled bandpass filters as well as a pair of voltage controlled sine wave LFOs.
(Some may recognize the twin LFO control section as being very similar to that of the classic Mutron Bi-Phase).
Also known as the MOTM 410, here are some paraphrased excerpts about it from Paul:
This can be used as a "fixed" filter bank: just set the DEPTH to zero. Because narrow filters are used, vocal formants can be created using the independent center frequency controls.
The on-board LFO structure contains two "detuned" voltage-controlled LFOs (one LFO runs 20% slower than the other one, and they have true sine wave outputs for the best sweeping effects). You can use the panel controls or plug in up to three separate control voltages, (SWEEP, RATE and DEPTH)!
The LFO MODE switch controls how the filters are swept...
Single- All three filters are swept together by sine wave LFO number one.
Dual- Filter one is swept with the first LFO, while filters two and three are swept with the second sine wave LFO.
Dual Reverse- This is the same as above, except one LFO is inverted and the filters are swept in opposite directions.
This filter also has three separate audio outputs, which can be used to create frequency-dependent stereo panning. Using three inputs on your mixer, you can manually pan Filter One to the LEFT, set Filter Two to CENTER, and pan Filter Three's output to the RIGHT. The LFOs then sweep the stereo field - based on the frequency content of what you are playing! (Of course by simply turning off the LFOs, the module can be used it as a three section fixed filter bank).
We thought we'd give the design credit to Jurgen this time, but he is so modest that he requested that only his trademark initials grace the front panel of this beauty!
01. Gate Sequencer
Cha Cha Rhythms are a natural for this Ken Stone designed Pattern Generating Sequencer!
Instead of having rows of knobs for adjusting analog voltage output levels like a traditional sequencer, this Aussie Cat Girl Synth creation features rows of three-way switches for timing decisions instead...
The Gate Sequencer has 48 possible combinations per measure via two independent rows of switched gate and trigger outputs. It's simply hard to stop dancing when this thing is running!
Useful for polyrhythmic adventuring wherever gates, square waves, or leading edges can be found!
02. Sub Mux Deluxe
This module addresses those on a quest for a seriously beefy bottom end! Not only does it extend bass frequencies a powerful four-octaves below the signal that you feed into it, but each of the sub octaves has a level knob so you can control the mixed output like the drawbars of an organ.
Of course, you can flip the Mode Switch to engage a total of four internal ring modulators, which can really put some "heavy" in your heavy metal!
We've combined Paul Schreiber's awesome Sub Octave Multiplexer with parts from Scott Juskiw and Richard Brewster to create a souped-up version of the original module.
The new Cynthia Sub Mux Deluxe adds individual outputs from each of the four sub octave generators, (useful in stereo and quadraphonic applications), so now each of the four sub frequencies can be processed separately throughout your system!
This limited edition module features a new Staircase Waveform Output offering a binary weighted sum of the four subs which generates patterns and simple voltage sequences. Adjustments are can be made with an AC/DC Coupling Switch, and an LED is provided to monitor these patterns.
You really can get quite a range of sounds with this classic circuit - powerful sounds that range from thunderous house rattling bass, to massively klangourous hash sending everyone running for cover. Please use this module responsibly!
Buy one for yourself today and experience the thrill of raw bass power!
03. Quad Bandpass Filter
Four very simple filters with manually adjustable center frequency and resonance. Generally they're set and forget, letting the incoming audio do all the work! No precision or voltage control here, but they sound great, and they're good for example for setting-up artificial resonant cavities when modeling virtual instruments.
While a different actual circuit, this module is presented in the spirit of the early Buchla systems, which obtained part of their unique sound by employing lots of simple bandpass filters such as these.
This Quad Band Pass arrangement is presented in the same format as our popular Quad Low Pass Gates so that they may work either independently or together in your quest for that signature sound.
04. Sawtooth Animator
Turn the sound of one lone oscillator into seven!
(Your ear or an oscilloscope simply can't tell the difference between this module and a whole rack of seven VCOs tuned in unison!)
This amazing Bernie Hutchins circuit has been admired by Designers for years as a true electronic engineering marvel, (Of course here at Cyndustries we could not simply leave well enough alone, click here for Mark Barton's "Full Story" on what makes this one superior to previous designs).
It's optimized for a sawtooth input, but any single waveform with a slope going into this thing... comes out as a super fat three-hundred pound gorilla of waveforms!
There is even "Voltage Controlled FAT" (Imagine That!)
Many of us have spent years auditioning low pass filters on the quest for that super rich monster powerful sound, well... I believe you will find the Cynthia Sawtooth Animator to be the secret weapon that will push your sound over that crucial edge!
More than simply a chorus circuit, the Animator effects range from creamy lush sounds to totally wacked-out warbling, and as a bonus, there's a cloud of front panel outputs from the six internal LFOs that automatically track the frequency of the incoming waveform. (With two oscillators and two of these new Sawtooth Animator modules, you can spread the cloud of LFOs or bring them into focus together simply by controlling the frequencies of the two incoming oscillators).
The audio output waveforms vary from staircase waves to multiple mountain peaks and add sophistication and raw power to your music.
A slam-dunk "Must Have" Module for any synthesizer!
"It's absolutely clear that this is a world-class timbre fattener"
"Doktor Bob"
06. Triple Resonance Filter
Based on the original Korg PS-3100 filter design this version has been greatly improved and modernized by Paul Schreiber and Jurgen Haible.
It is a sophisticated module that contains three voltage controlled bandpass filters as well as a pair of voltage controlled sine wave LFOs.
(Some may recognize the twin LFO control section as being very similar to that of the classic Mutron Bi-Phase).
Also known as the MOTM 410, here are some paraphrased excerpts about it from Paul:
This can be used as a "fixed" filter bank: just set the DEPTH to zero. Because narrow filters are used, vocal formants can be created using the independent center frequency controls.
The on-board LFO structure contains two "detuned" voltage-controlled LFOs (one LFO runs 20% slower than the other one, and they have true sine wave outputs for the best sweeping effects). You can use the panel controls or plug in up to three separate control voltages, (SWEEP, RATE and DEPTH)!
The LFO MODE switch controls how the filters are swept...
Single- All three filters are swept together by sine wave LFO number one.
Dual- Filter one is swept with the first LFO, while filters two and three are swept with the second sine wave LFO.
Dual Reverse- This is the same as above, except one LFO is inverted and the filters are swept in opposite directions.
This filter also has three separate audio outputs, which can be used to create frequency-dependent stereo panning. Using three inputs on your mixer, you can manually pan Filter One to the LEFT, set Filter Two to CENTER, and pan Filter Three's output to the RIGHT. The LFOs then sweep the stereo field - based on the frequency content of what you are playing! (Of course by simply turning off the LFOs, the module can be used it as a three section fixed filter bank).
We thought we'd give the design credit to Jurgen this time, but he is so modest that he requested that only his trademark initials grace the front panel of this beauty!
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