Mackie SR 24.4 vlz Mixing Console Mengtafel

[dilemma]

KenmerkenConditie: Gebruikt Beschrijving 100% in orde. Altijd in een rookvrije studio gestaan. Ideale studiomixer, monitormixer of voor een klein bandje als FOH.

Description:
Mackie SR24.4 VLZ Pro Audio Mixer.
20 mic/line input channels,
2 stereo line input channels,
4 submix busses,
most inputs and outputs are balanced,
talkback input,
L/R and Mono output,
6 aux sends,
8 submaster outputs,
tape and headphone outputs,
60mm faders.
This is the small reinforcement console that works wonderfully for small bands, schools, churches, or any other situation where
you need 20 mic inputs in a value packed unit. Rock solid preformance and fantastic sound make this a great choice.

Key Features of the new Mackie SR24.4 include:

• Ultra-low noise, high-headroom design
• Premium XDR Extended Dynamic Range mic pre-amps featuring:
• Full gain range from 0 to 60dB
• +22dBu line signal handling capability
• 130dB dynamic range
• Distortion less than 0.0007%, 20Hz to 20kHz
• 192 kHz bandwidth
• Exceptional RF rejection utilizing bifilar-wound, DC-pulse transformer
• True logarithmic taper 60mm submaster and main mix L/R faders
• Special design circuitry to minimize noise and crosstalk
• Convenient ALT 3/4 bus
• Both mixers feature 6 auxes
• Active 3-band swept midrange EQ per MIC channel
• 4-band fixed EQ on the stereo ch annels
• Double-bused direct outs on the subs
• Air EQ on the subs
• Left, right and summed-mono XLR main outs
• Globally switchable phantom power
• 18dB/oct. 75Hz Lo Cut filter (perfect to cut stage rumble and mic handling noise)
Rugged steel chassis and sealed, dust-proof rotary controls

Check link voor een foto. Groetjes Richard

http://muziek.marktplaats.nl/mengpa...vCSZLchtBVW43aqi98Pmwgdxw==&df=1#photoGallery

 

[dilemma]

oh ja richtprijs. lol €450,-

 

[dilemma]

120 eurie als het u blieft.

KenmerkenConditie: Zo goed als nieuw Beschrijving DA-2496: 8x8 Multi-track Digital Audio Recording Interface. Werkt als een tierelier. Ik heb alleen sinds kort een laptop en daar krijg ik de kaart niet in. helaas.


Edirol has released its very own studio-quality card, the Edirol DA 2496. The DA 2496 is a rackmount system with a whole host of connections to help your computer become the center of your recording studio. Whether you are running to your computer from an outboard mixer or directly plugging your instruments into the computer, the DA-2496 is the best way to get from the instrument to the computer. Furthermore, the inputs on the front of the unit can supercede the inputs on the back. So if you have your DA 2496 set up in your rack but want to plug a bass directly into one of the Hi-Z inputs on the card (no need for a direct box), you don’t need to unplug the back of the unit. The DA 2496 is comprised of a high-quality breakout box and Edirol’s DA-PCI card to connect the breakout box to the computer. The DA 2496 also includes controller software to route all of your signals. Never has it been easier or more cost-effective to build your own studio.

The DA2496 is a two-part design: a PCI soundcard just over five inches long connects via a generous two-metre-long umbilical cable to the smart 1U rackmount case that houses all the I/O sockets, as well as the AKM AK4524 A-D and D-A converters. The PCI card f
Edirol DA2496 £499
pros
Versatile selection of mic, guitar, and line inputs.
Provides both optical and co-axial digital I/O, plus word clock and MIDI I/O.
Low-jitter clock and clean audio quality.
cons
Using digital input disables analogue inputs 7 and 8.
GSIF drivers are not yet multi-client.
Bug on current Windows 98/ME driver version at some latencies.
summary
Edirol's DA2496 provides a versatile combination of analogue, digital, MIDI, and word clock I/O, in an elegant rackmount format, with high audio quality, at a very competitive price.


eatures two three-pin connectors labelled Clock In and Clock Out, which enable you to synchronise up to four DA2496 units as long as you have enough slots in your computer -- a short clock cable is supplied. As well as the 25-way D-type umbilical connector, the backplate also features a cutout to provide access to a dual DIP switch on the circuit board, which lets you give a unique identity to each card in a multiple setup. If only other manufacturers used this approach instead of having inaccessible links for such things as optical/co-axial and +4dBu/-10dBV input switching.

Similar attention to detail can be found at the rackmount end, with a clearly laid-out flow chart on the top panel that makes it easier to get to grips with the unit. The first two inputs use front-panel Neutrik Combi XLR/jack sockets that can accommodate either mic or line-level signals, either balanced or unbalanced. When you have mics plugged in on XLR connectors, a front-panel switch provides +48 Volt phantom power to both simultaneously, while a second one introduces a 24dB pad. In addition, each input also has a Peak LED and a rotary Sensitivity control with a 40dB range -- when using a mic this provides a maximum sensitivity of -60dBu for full digital output.

Inputs 3 and 4 offer a pair of TRS balanced sockets with 24k(omega) impedance on the rear panel, which can be overridden by plugging a guitar or similar source into the 470k(omega) high-impedance unbalanced inputs on the front panel, an approach that makes perfect sense for most setups. Both inputs have a front-panel Sensitivity control which provides a range from +4dBu to -50dBu.

The remaining analogue inputs are all on the rear panel, TRS-balanced with standard impedance and the same sensitivity range of +4dBu to -50dBu. Inputs 5/6 have a single stereo-ganged front-panel Sensitivity control and Peak LED, while inputs 7/8 are identical except for an extra front-panel switch which lets you choose between analogue and co-axial/optical digital input. The co-axial I/O and the optical output are on the rear panel, while the optical input is on the front panel. A signal at this socket overrides the rear-panel co-axial input.

Along with the mains power switch and LED for the internal PSU, the front panel is completed by a stereo quarter-inch jack socket and associated volume control for headphone monitoring, a set of eight LEDs that display playback activity in the eight output channels, and a switch to toggle between internal and external clock signals, along with an associated LED indicator which illum
inates when word clock is being received correctly, either from the PCI card or another device.

Apart from the analogue input sockets for channels three to eight, the rear panel also has eight analogue output sockets that are TRS-wired for balanced or unbalanced connection, the three digital I/O sockets mentioned earlier, a pair of BNC connectors for word clock in and out, the D-type connector for the PCI card, MIDI in and out sockets and a standard IEC mains socket.

Driver Support

The DA2496 comes with a CD-ROM containing drivers for Windows 98, ME, 2000 and XP, while Mac users have Sound Manager and OMS support for OS 9 (OS X drivers are in development), and the option of three different ASIO drivers. ASIO2 DA-PCI supports ASIO 2.0, ASIO Edirol DA-PCIv4 dispenses with the DirectMonitor function when used with Sound It!, while ASIO Edirol DA-PCIv3 is intended for use with Digital Performer, Cubase v3, Reason, Reaktor, Unity and Peak.

I downloaded the latest version 1.02 PC drivers from the Edirol web site. They support ASIO 2.0, EASI, GSIF and MME across all Windows versions, while those for Windows 2000 and XP also support WDM format. I installed the Windows 98SE version without a hitch, and I was soon back in action with the DA2496 running with no conflicts alongside my own Echo Mia and Yamaha SW1000XG soundcards. I found I didn't even need to remember to switch on the rackmount unit before powering up my PC.

As soon as I first launched the DA-PCI Control Panel, I recognised it as almost identical to the one used by M Audio for their soundcards; apparently, although Roland designed all the hardware including the PCI soundcard, they contacted M Audio to write licensed drivers for them. This makes sense, since M Audio already have huge experience in this area, but it's important to remember that although the software looks the same, the hardware it controls is completely different -- you can't for instance download and use M Audio's Delta 1010 drivers with the DA2496.

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