pjoris
Ouwe rot
- Lid sinds
- 26 augustus 2008
- Berichten
- 1.162
Ik heb mijn eerste you-tube filmpje gemaak over mijn gereorganizeerde modular - gelieve in HD te bekijken. Sommige onder jullie kunnen hier stukjes van julle vorig eigendom herkennen ...
Uitleg over de patch:
"The basic sequence is played by the Livewire AFG with random pulse width (controlled by S&H type output from the Makenoise Wogglebug) and harmonic modulation (controlled by a Doepfer LFO). Pulse and animated pulse outputs go in to a lowpass-gate (Makenoise QMMG), Buchla/Serge's take on a VCA/low pass filter. The low-pass gates are controlled by the clock from the analog sequencer and a bit of echo from Doepfers VC DSP effects is mixed in.
Pitch and tempo is controlled by a 8-step sequence from the Analog Systems RS-200 analog sequencer, quantized and transposed by 2 Analogue Solutions sequencers. The second sequencer steps every 32th step of the first, the third every 8th step of the second, so the basic sequence is 32x8x8=2048 steps long). There is some random switching of the 3 channels of the RS-200 programmed to nearly - but not quite - the same sequence, with slides introduced in the third channel.
The "drums" are played by a Dotcom system, again clocked from the RS-200 through a clock divider. The 4/4 beat is made by the dotcom VCO through a lowpass filter, with a short envelope. The "hihats" are some noise through another lowpass filter with short evelope and then treated with a Korg PME-40x analog multi-effects. I put on phaser, delay, and flanger (hey, I just got the thing, of course I'm going to use it all).
The only human intervention, after patching of course, is turning on/off the connection in a dotcom multiple wich receives the 2th and 8th divisions of the basic clock tempo. This cause the bassdrum to drop for half of the beats.
Confused ? Have a look at the video ..."
Joris
Uitleg over de patch:
"The basic sequence is played by the Livewire AFG with random pulse width (controlled by S&H type output from the Makenoise Wogglebug) and harmonic modulation (controlled by a Doepfer LFO). Pulse and animated pulse outputs go in to a lowpass-gate (Makenoise QMMG), Buchla/Serge's take on a VCA/low pass filter. The low-pass gates are controlled by the clock from the analog sequencer and a bit of echo from Doepfers VC DSP effects is mixed in.
Pitch and tempo is controlled by a 8-step sequence from the Analog Systems RS-200 analog sequencer, quantized and transposed by 2 Analogue Solutions sequencers. The second sequencer steps every 32th step of the first, the third every 8th step of the second, so the basic sequence is 32x8x8=2048 steps long). There is some random switching of the 3 channels of the RS-200 programmed to nearly - but not quite - the same sequence, with slides introduced in the third channel.
The "drums" are played by a Dotcom system, again clocked from the RS-200 through a clock divider. The 4/4 beat is made by the dotcom VCO through a lowpass filter, with a short envelope. The "hihats" are some noise through another lowpass filter with short evelope and then treated with a Korg PME-40x analog multi-effects. I put on phaser, delay, and flanger (hey, I just got the thing, of course I'm going to use it all).
The only human intervention, after patching of course, is turning on/off the connection in a dotcom multiple wich receives the 2th and 8th divisions of the basic clock tempo. This cause the bassdrum to drop for half of the beats.
Confused ? Have a look at the video ..."
Joris
welkom bij de "synth op youtube-club" 
I like it.....zal je ook ff toevoegen bij Youtube.
