TG77, ESI32, TripleC, Darla

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Darla by echo 20-Bit Multitrack Audio CARD !!!!!!
Gebruikt alleen in de studio !!!!
Geen mankementen netjes mee omgegaan door beëindiging hobby nu te koop !!!!
Vraag prijs 75 euro,

Audio Performance

• Dynamic Range: >98dB
• Frequency Response: 20Hz-22kHz, ±0.5dB
• HD+n: <0.005%, 20Hz-22kHz, A-weighted
• PCI bus master interface

Hardware

• Two analog input channels with precision 20-bit 128x oversampling analog-to-digital converters
• Eight analog output channels with high-performance 20-bit 128x oversampling digital-to-analog converters
• On-board 24-bit Motorola 56301 DSP (66MIPS)
• Audio interface box with unbalanced RCA connectors
• Multiple sample rates from 11kHz to 48kHz
• Full duplex operation (si multaneou sly record two channels while playing back eight channels)

System Requirements

Pentium 3 or 4 system running Windows 95 & 98 & XP & update to Windows 7
16MB RAM (more highly recommended)
PCI bus slot

 

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Te Koop TC Electronic Triple C Multi-Band Digital STEREO Compressor

Te Koop TC Electronic Triple C Multi-Band Digital STEREO Compressor

TC Electronic Triple C Multi-Band Digital STEREO Compressor

ZO GOED ALS NIEUW,
beëindiging hobby nu te koop voor 225 euro !!!!

The Triple C should be called a Triple Threat. It is a digital full-range compressor, multi-band compressor and envelope compressor capable of extreme alteration of attack and release. TC Electronic comes through again with another useful and modern recording processor with some unique twists on the compression process. The Triple C comes in two different single-rackspace versions: a $699 single-channel unit (the one I tested ran V. 1.02 firmware) and a stereo version at $999. Two single-channel versions can be stereo-linked, but the stereo unit cannot be "unlinked" for two separate compressors. The Triple C accepts and outputs au dio either as analog with the back panel balanced TRS jacks, or digitally with a pair of S/PDIF RCA jacks. Maximum input analog level is +24 dBu, and maximum outpu t is +20 dBu balanced. A/D conversion is 24-bit with 128x oversampling, and the digital output can be dithered to whatever bit depth is required. The unit clocks to the incoming digital source or is selectable to a 44.1 or 48kHz internal clock when the analog inputs are being used. There is full MIDI implementation that can be used to offload and store the 50 factory and 100 user compressor presets called Styles, as well as control all the unit's parameters using Continuous Controller data.[/FONT]

 

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Te Koop Emu ESI-32 Sampler 32mb + cdrom + zdrive + 16 Emu Sample cds

Te Koop Emu ESI-32 Sampler 32mb + cdrom + zdrive + 16 Emu Sample cds

TE KOOP Emu ESI-32 uitgebreid naar 32 mb spdf digital met
APPLE CD-ROM + 16 EMU SAMPLE CD S & Z DRIVE hardisk + 12 DISK van 100 mb ook met 10000 samples

Vraag prijs 400 euro ,

E-mu Systems
Anyone who knows samplers and sampling technology knows the name E-mu Systems. All this company did was pretty much invent the affordable digital sampler! Of course when they released their first sampler, the landmark Emulator One almost 15 years ago, affordable meant anything with a price tag under $10,000! Today, things are a lot different. Not only are digital samplers more affordable, they're also infinitely easier to use, offer plenty of enhanced features and tons of sampling RAM, p articularly when compared to early samplers, some of which had only a m icroscopic 128K of 8-bit memory. More importantly, today's samplers have specs that are truly pro quality. So let's say, just for the sake of argument, that you're interested in buying your first sampler. You'll want one that's user-friendly, sounds great and isn't going to cost so much that you'll have to take a second job to afford it. Oh, and you'll probably want plenty of polyphony and the ability to drop in lots of sampling RAM. If that sounds about right, you might, just for the sake of argument, be looking for the ESI-32. Carrying a list price of just $1495 (no, that's not a misprint), the ESI-32 features ultra-clean 16-bit resolution for the purest possible audio quality. It allows for virtually distortionless pitch transposition over an incredible 10-octave range, gives you 32 notes of polyphony, and comes standard with 32 4-pole digital resonant filters on-board, as well as a variety of powerful DSP functions like time compression/expansion, para metric EQ, digital tuning, compression and lots more. The standard unit ships with 2 megabytes of RAM but can easily be upgraded (via standard off-the-shelf SIMMs) to a full 32 megs![/FONT]

 

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Te Koop - Yamaha TG77 is a 16 voice multitimbral music workstation

Te Koop - Yamaha TG77 is a 16 voice multitimbral music workstation

Alleen in de studio gebruikt !!!!
geen mankementen netjes mee omgegaan gestopt met de hobby !!!!
te koop 225 euro,
Marktwaarde tussen de , €300 en €400 (tweedehands) ...

Yamaha TG77 is a 16 voice multitimbral music workstation (synthesizer) utilizing Realtime Convolution and Modulation Synthesis (RC&M). The convolution synthesis takes place by emulation of analog filter operation, filtering the AFM and AWM2 elements in a voice. Eight filters can be controlled by dedicated envelope generators. TG77 is equipped with two sets of stereo outputs and eight individual outputs which are assignable to individual, internal, instruments. TG77 has a large LCD display and programming takes place through a keypad on the front panel of the unit. The unit can generate rich, layered, multitimbral sounds very characteristic to the FM synthesis. There are large librarie s of patches and expansion cards available for TG77 that allow for expansion of tonal capabilities of the unit. The unit came into production in 1989 and was designed and manufactured by Yamaha Corporation.

YouTube - Inside Yamaha TG77 by Morpheus2027[/FONT]