NI massive- gereserveerd
NI-Prism
REAKTOR PRISM & FX is a highly playable, responsive polyphonic instrument and effects processor with an unconventional sound, for use with the free REAKTOR 5 PLAYER or REAKTOR 5.5.
Based on REAKTOR's "Modal Bank" module, which utilizes the possibilities of physical modeling synthesis, the PRISM synth produces a dynamic and pristine sound that can be dramatically modified via internal or external sources. Its sister FX ensemble opens the door to fascinating sound shaping capabilities for use on any incoming audio as a lively effects processor. The result is a wide-ranging, contemporary synthesizer and effect.
Fostex
The Fostex MR8HD 8-Track Digital Recorder records to an internal 40GB drive for more than 15 hours of 8-track digital recording at CD quality (16-bit/44.1kHz). The simple and intuitive operation inherited from the Fostex MR-8 recorder is enhanced by features like 4-track simultaneous recording, push-dial button for easy menu operation, full-track bouncing to a new song, and a USB Host function for external CD burning. The Fostex digital recorder has a USB port for stereo WAV file-transfer between the unit and a PC. Built-in digital effects including reverb and delay, and guitar amp and microphone simulations. Dedicated analog guitar distortion knob, S/PDIF digital out for digital mastering, and twin headphone outs give you added control and versatility.
NI Maschine
Explore the entire MASCHINE family – integrated software/hardware systems for advanced, intuitive groove production. Cutting-edge MASCHINE 2 software features a powerful audio engine, unlimited groups and effects sends, multicore support, MASCHINE 2 Drum Synths, scale, arp, and chord functions, and much more. And three flavors of hardware deliver the perfect beat making tool for every studio
Analogue Solutions Station X
clearly intended as the boss in this algebraic synth relationship - we find a simple self-contained MIDI controllable mono synth. Let's take a look at what the front panel has to offer - and remember that you will need to patch the various elements together yourself, there is no pre-configured routing here.
First up we have the MIDI to CV section that takes a standard MIDI input and converts the digital stream into three analogue voltage outputs, with a control voltage (CV) outs for pitch and velocity (or continuous controller), and a simple note on/off Gate.
Next comes the single VCO (Voltage Controlled Oscillator) with saw and square waveform outputs and CV inputs for pitch and Pulse Wave Modulation (PWM). The VCF is a 24dB/oct low-pass 'Moog' style filter, with cutoff and resonance (Q) controls and two cutoff level CV inputs.
Below this is a simple VCA (Voltage Controlled Attenuator) section for modulated level control duties, which is hard-wired from the filter section's output.
The LFO section has a knob for modulation speed, and individual controls for the variable phase sawtooth output (when this knob is pulled out the waveform is inverted), and combined triangle/square wave output (pulling the knob switches waveform shape). The LFO frequency can be modulated via the F CV input.
The synth is rounded-off with a Noise generator and a Sample and Hold circuit consisting of In, Out and Clock jacks. The Slew control adjusts the glide time of the S+H CV out.
Voor de hardware en hybride zijn de prijzen bespreekbaar nu de voorkeur blijft nog wel uitgaan naar een ruildeal met een Korg ES 2
