Post hier je huidige gearlist :
- Thread starter Bass
- Start date
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Acidjazz is ontstaan als tegenhanger van acid, daarom het woord acid in de naam. Heeft dus verder niets met acid te maken.
Acid Jazz: Introduced into the British scene in the late '80s; spread to the rest of the world in the early '90s, mainly via US3. Essentially Grant Green-like or Lou Donaldson-like jazz/funk pieces with underlying hip-hop rhythm. See Rare Groove. Exponents: Gilles Peterson, Incognito, Galliano. Labels: Acid Jazz, Talkin Loud.
Acid house: Coined in Chicago in 1987 to describe the sound of the Roland 303 bass machine, which made its first significant recording appearance on Phuture's Acid Trax (DJ Pierre) in that year. In the U.K., covers all electronic-music trends that developed from 1988 to 1991. Exponents: DJ Pierre, Phuture, Hardfloor. Labels: Trax, Hardhouse.
Ambient: Atmospheric music that can be traced back to the '70s and musicians such as Brian Eno, Tangerine Dream or Klaus Schulz - and even earlier to the music of Stockhausen or Debussy. Became an electronic-music trend in the '90s (see Chill). Features lengthy scramblings (with or without rhythm) that are more consistent and complex than those of New Age. Exponents: Mixmaster Morris, Global Communication. Label: Rising High.
Big Beat: Appeared in the mid-'90s, mainly in Brighton, England, thanks to Fatboy Slim and his Big Beat Boutique cohorts. A special blend of house and hip-hop with breakbeats (see Breakbeat) that are heavy, dynamic and, unfortunately, often superficial. Party music. Exponents: Fatboy Slim, Propellerheds, Chemical Brothers. Labels: Skint, Bolshi, Wall of Sound.
Breakbeat: First identified in the early '70s. Refers to the part of a funk (or jazz) song in which the music breaks to make room for the rhythm section only. Hip-hop DJs (starting with Kool Herc) began using several song breaks in a row, which is how hip-hop and breakbeat came into being.
Broken beat: A term created in 1999 by a Japanese journalist. A logical extension of acid jazz; merges downtempo house, breakbeats and jazz, Latin and Brazilian influences. Exponents: Jazzanova, Rainer Truby, IG Culture. Labels: Compost, Sonar Kollektiv.
Dub: The mother of all electronic-culture trends. Derived from reggae; discovered accidentally by producer King Tubby; fully developed by Lee "Scratch" Perry. Dub is also an adjective: take a house title, strip it of most of its lyrics, add a lot of bass and some studio effects (echoes) and you'll have produced a dub version.
Electro: Created in 1981 with New York City DJ Afrika Bambaata's "Planet Rock." A fusion of hip-hop and techno featuring a frantic rhythm, more rigid than that of hip-hop, and a punctuated bass line. Influenced the originators of techno, and marked hip-hop production from 1981 to 1985 (e.g. LL Cool J). Enjoyed a revival in 1997. Exponents: Afrika Bambaata, DMX Crew. Label: Warp.
Garage: The name came from Paradise Garage, Larry Levan's legendary New York City disco. The genre itself originated in New Jersey with Tony Humphrey. Was renamed U.K. garage, then speed garage in England (see 2-step). Lots of gospel, soul and R&B-inspired vocal tracks. Exponents: Tony Humphrey, Roy Davis Jr.
Ghetto Tech: This most recent addition to techno terminology came into being in 2000 in Detroit, inspired by the DJ style of Jeff Mills (fast-mixed techno). A complex mix of rigid Detroit Techno, Electro, 2 Live Crew-style hip-hop and Miami Bass. Rappers spout insanities to rhythms that are often fast and frantic, with heavy bass. Exponent: DJ Assault.
House: A 1986 term meaning "house music" or the music heard at the Warehouse, the legendary Chicago club where Frankie Knuckles officiated. Similar to disco, but produced with early drum machines (Roland 808 and 909). Includes Tech House, Deep House, Latin House, Hard House… Exponents and labels: take your pick!
Intelligent Techno/IDM: Broadly speaking, electronic music not primarily meant for dancing. Following the summer of 1988, the British refined the use of drum machines and sequencers. Exponents: Aphex Twin, U-ziq, Squarepusher, Autechre. Labels: Warp, Planet U.
Jungle: Hardcore-derived style that appeared in 1992. Features an abusive use of fast, heavy breakbeats as well as reggae/reggae-dub influences. In 1993, LTJ Bukem and A Guy Called Gerald (ex-808 State) used lighter rhythms to create a more airy atmosphere with jazz overtones. Exponents: Goldie, LTJ Bukem, Photek, Grooverider. Labels: Moving Shadow, Metalheadz, Ram Recordings.
Minimal: Generally short for "minimal techno." Came directly out of the Detroit tradition; has little to do with the definitions of musique concrete and electro-acoustic music theorists. Features bare rhythms interspersed with hypnotic sequences. Exponents: Plastikman. Labels: Chain Reaction, Plus 8.
Rare Groove: A popular genre in the early '60s in England (Northern Soul) and the prototype for the rave culture. Essentially comprised of obscure soul, funk, R&B pieces copied in England - hence the term rare - this genre has been an inexhaustible sampling source for contemporary music producers of all allegiances.
Techno: Created in Detroit in 1988, its originators, who were strongly influenced by the aesthetics of Arthur C. Clarke and Fritz Lang, described it as music with a pulse that drives your inner soul. Exponents: Juan Atkins, Kevin Saunderson, Derrick May, Jeff Mills. Labels: Transmat, Underground Resistance.
Trance: A offshoot of Techno featuring rapid tempos, New Age-type, almost hypnotic atmospheres and dynamic musical progressions. When more psychedelic, it is called Goa (after the former Portuguese colony on the West Coast of India, where hippies used to congregate and where technophiles now organize endless festivities). A German specialty in the early '90s,Ttrance is now back in an extenuated version, with tempos and atmospheres reminiscent of Progressive House. Exponents: Sven Vath, Paul Oakenfold, Nuclear Ramjet. Labels: Hardhouse, Dragonfly.
Trip-hop: A term invented in 1995 in a Mixmag article about Tricky. Almost an English version of Hip-hop/Pop made up of Dub, Jazz and Breakbeat. These days, mostly used to describe English Hip-hop production of the mid-'90s.
2-step: One of the most recent Techno terms. British Garage style produced U.K. Garage; Speed Garage (1997); and then 2-step. A house style marked by Drum & Bass; Soul and R&B from (sung) Garage; a touch of Ragga Reggae; House-tempo breakbeats; and bass lines spiked with drum and bass. More sophisticated than Speed Garage, 2-step is still in the process of finding its way between Hip-hop, R&B, Breakbeat and House. Exponents: MJ Cole, Wookie, Artful Dodger. Labels: Talkin Loud, Locked.
Acid house: Coined in Chicago in 1987 to describe the sound of the Roland 303 bass machine, which made its first significant recording appearance on Phuture's Acid Trax (DJ Pierre) in that year. In the U.K., covers all electronic-music trends that developed from 1988 to 1991. Exponents: DJ Pierre, Phuture, Hardfloor. Labels: Trax, Hardhouse.
Ambient: Atmospheric music that can be traced back to the '70s and musicians such as Brian Eno, Tangerine Dream or Klaus Schulz - and even earlier to the music of Stockhausen or Debussy. Became an electronic-music trend in the '90s (see Chill). Features lengthy scramblings (with or without rhythm) that are more consistent and complex than those of New Age. Exponents: Mixmaster Morris, Global Communication. Label: Rising High.
Big Beat: Appeared in the mid-'90s, mainly in Brighton, England, thanks to Fatboy Slim and his Big Beat Boutique cohorts. A special blend of house and hip-hop with breakbeats (see Breakbeat) that are heavy, dynamic and, unfortunately, often superficial. Party music. Exponents: Fatboy Slim, Propellerheds, Chemical Brothers. Labels: Skint, Bolshi, Wall of Sound.
Breakbeat: First identified in the early '70s. Refers to the part of a funk (or jazz) song in which the music breaks to make room for the rhythm section only. Hip-hop DJs (starting with Kool Herc) began using several song breaks in a row, which is how hip-hop and breakbeat came into being.
Broken beat: A term created in 1999 by a Japanese journalist. A logical extension of acid jazz; merges downtempo house, breakbeats and jazz, Latin and Brazilian influences. Exponents: Jazzanova, Rainer Truby, IG Culture. Labels: Compost, Sonar Kollektiv.
Dub: The mother of all electronic-culture trends. Derived from reggae; discovered accidentally by producer King Tubby; fully developed by Lee "Scratch" Perry. Dub is also an adjective: take a house title, strip it of most of its lyrics, add a lot of bass and some studio effects (echoes) and you'll have produced a dub version.
Electro: Created in 1981 with New York City DJ Afrika Bambaata's "Planet Rock." A fusion of hip-hop and techno featuring a frantic rhythm, more rigid than that of hip-hop, and a punctuated bass line. Influenced the originators of techno, and marked hip-hop production from 1981 to 1985 (e.g. LL Cool J). Enjoyed a revival in 1997. Exponents: Afrika Bambaata, DMX Crew. Label: Warp.
Garage: The name came from Paradise Garage, Larry Levan's legendary New York City disco. The genre itself originated in New Jersey with Tony Humphrey. Was renamed U.K. garage, then speed garage in England (see 2-step). Lots of gospel, soul and R&B-inspired vocal tracks. Exponents: Tony Humphrey, Roy Davis Jr.
Ghetto Tech: This most recent addition to techno terminology came into being in 2000 in Detroit, inspired by the DJ style of Jeff Mills (fast-mixed techno). A complex mix of rigid Detroit Techno, Electro, 2 Live Crew-style hip-hop and Miami Bass. Rappers spout insanities to rhythms that are often fast and frantic, with heavy bass. Exponent: DJ Assault.
House: A 1986 term meaning "house music" or the music heard at the Warehouse, the legendary Chicago club where Frankie Knuckles officiated. Similar to disco, but produced with early drum machines (Roland 808 and 909). Includes Tech House, Deep House, Latin House, Hard House… Exponents and labels: take your pick!
Intelligent Techno/IDM: Broadly speaking, electronic music not primarily meant for dancing. Following the summer of 1988, the British refined the use of drum machines and sequencers. Exponents: Aphex Twin, U-ziq, Squarepusher, Autechre. Labels: Warp, Planet U.
Jungle: Hardcore-derived style that appeared in 1992. Features an abusive use of fast, heavy breakbeats as well as reggae/reggae-dub influences. In 1993, LTJ Bukem and A Guy Called Gerald (ex-808 State) used lighter rhythms to create a more airy atmosphere with jazz overtones. Exponents: Goldie, LTJ Bukem, Photek, Grooverider. Labels: Moving Shadow, Metalheadz, Ram Recordings.
Minimal: Generally short for "minimal techno." Came directly out of the Detroit tradition; has little to do with the definitions of musique concrete and electro-acoustic music theorists. Features bare rhythms interspersed with hypnotic sequences. Exponents: Plastikman. Labels: Chain Reaction, Plus 8.
Rare Groove: A popular genre in the early '60s in England (Northern Soul) and the prototype for the rave culture. Essentially comprised of obscure soul, funk, R&B pieces copied in England - hence the term rare - this genre has been an inexhaustible sampling source for contemporary music producers of all allegiances.
Techno: Created in Detroit in 1988, its originators, who were strongly influenced by the aesthetics of Arthur C. Clarke and Fritz Lang, described it as music with a pulse that drives your inner soul. Exponents: Juan Atkins, Kevin Saunderson, Derrick May, Jeff Mills. Labels: Transmat, Underground Resistance.
Trance: A offshoot of Techno featuring rapid tempos, New Age-type, almost hypnotic atmospheres and dynamic musical progressions. When more psychedelic, it is called Goa (after the former Portuguese colony on the West Coast of India, where hippies used to congregate and where technophiles now organize endless festivities). A German specialty in the early '90s,Ttrance is now back in an extenuated version, with tempos and atmospheres reminiscent of Progressive House. Exponents: Sven Vath, Paul Oakenfold, Nuclear Ramjet. Labels: Hardhouse, Dragonfly.
Trip-hop: A term invented in 1995 in a Mixmag article about Tricky. Almost an English version of Hip-hop/Pop made up of Dub, Jazz and Breakbeat. These days, mostly used to describe English Hip-hop production of the mid-'90s.
2-step: One of the most recent Techno terms. British Garage style produced U.K. Garage; Speed Garage (1997); and then 2-step. A house style marked by Drum & Bass; Soul and R&B from (sung) Garage; a touch of Ragga Reggae; House-tempo breakbeats; and bass lines spiked with drum and bass. More sophisticated than Speed Garage, 2-step is still in the process of finding its way between Hip-hop, R&B, Breakbeat and House. Exponents: MJ Cole, Wookie, Artful Dodger. Labels: Talkin Loud, Locked.
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Daarover lopen de meningen uiteen:
http://nl.wikipedia.org/wiki/Acid_house, halverwege de pagina, "Herkomst van de naam"
Ik denk dat die wiki beter is idd kwa jaartallen enzo
en ook dit:
"Er is een tweede theorie die zegt dat "acid" of "acid burning" in Chicago in die tijd een negatieve, afkeurende term was voor sampling in house-platen."
Klopt ook wel, Ik geloof zelf dat dat LSD gerelateerde later pas is gekomen.
AcidTabs!
en ook dit:
"Er is een tweede theorie die zegt dat "acid" of "acid burning" in Chicago in die tijd een negatieve, afkeurende term was voor sampling in house-platen."
Klopt ook wel, Ik geloof zelf dat dat LSD gerelateerde later pas is gekomen.
AcidTabs!
elektrovolt
compuphonic
synths
moog minimoog voyager
digisound 80
alesis ion
korg ms10
crumar bit99
kawai sx-210
clavia micro modular
roland sh-101
roland jupiter-4
x0xb0x
moog etherwave theremin
yamaha dx7
drums
roland tr-606
roland tr-707
roland tr-808
boss dr-55
boss dr-110
akai mpc2000xl
outboard & effecten
art mpa gold preamp
art prochannel
alesis smashup compressor
EHX black finger
schippmann ebbe und flut
multivox mx-312
D&R stereo spring reverb
behringer v-verb pro
line 6 echo park
>>>boss rrv reverb
EHX small stone
EHX big muff
dod sr830q xlr
pearl octaver
MXR phase 100
boss cs-3
mixers
tascam m320
allen&heath wz12:2dx
soundcraft e8
spirit notepad
afluistering
phonic p8a monitors
beyerdynamic dt-990pro
technics rp-1210
recording
teac a-3440
akai gx-625
akai gx-912
dbx 155 noise reduction
philips dat850
imac intel 2ghz
motu ultralite
zoom h2
4 naiant condensator microfoons
akoestisch
draailier frans model
5 harmoniums (mannborg kistharmonium, twee indiase, groot zuigwind en een drukwindharmonium)
twee doedelzakken (duits type)
mandoline
EKO 5-string banjo
altviool
concertina
hohner melodica
london city telecaster
gumika elektrisch
bouzouki
vintage 5 string bass
tanglewood acoustic
dynacord bass king
verder, zie hieronder :
moog minimoog voyager
digisound 80
alesis ion
korg ms10
crumar bit99
kawai sx-210
clavia micro modular
roland sh-101
roland jupiter-4
x0xb0x
moog etherwave theremin
yamaha dx7
drums
roland tr-606
roland tr-707
roland tr-808
boss dr-55
boss dr-110
akai mpc2000xl
outboard & effecten
art mpa gold preamp
art prochannel
alesis smashup compressor
EHX black finger
schippmann ebbe und flut
multivox mx-312
D&R stereo spring reverb
behringer v-verb pro
line 6 echo park
>>>boss rrv reverb
EHX small stone
EHX big muff
dod sr830q xlr
pearl octaver
MXR phase 100
boss cs-3
mixers
tascam m320
allen&heath wz12:2dx
soundcraft e8
spirit notepad
afluistering
phonic p8a monitors
beyerdynamic dt-990pro
technics rp-1210
recording
teac a-3440
akai gx-625
akai gx-912
dbx 155 noise reduction
philips dat850
imac intel 2ghz
motu ultralite
zoom h2
4 naiant condensator microfoons
akoestisch
draailier frans model
5 harmoniums (mannborg kistharmonium, twee indiase, groot zuigwind en een drukwindharmonium)
twee doedelzakken (duits type)
mandoline
EKO 5-string banjo
altviool
concertina
hohner melodica
london city telecaster
gumika elektrisch
bouzouki
vintage 5 string bass
tanglewood acoustic
dynacord bass king
verder, zie hieronder :
Da's een imposante collectie Volt.
Ik heb sinds de koop en verkoop van de afgelopen weken het volgende staan:
- Yamaha Motif XS7
- DSI Prophet '08 Keys
- DSI Mopho
- DSI Evolver Desktop
- Nord Modular G2 Engine
- Jomox Airbase 99
- Sherman Filterbank 2
- TC Electronic M-One XL
- Akai S5000
- Samson S-Com
- MXR Doubleshot Distortion
- Soundcraft MPM20/2
- Motu Midi Express 128
- 2x Behringer Ultrapatch Patchbays
- EMU Xboard 25
- Akai MPD24
Ik heb sinds de koop en verkoop van de afgelopen weken het volgende staan:
- Yamaha Motif XS7
- DSI Prophet '08 Keys
- DSI Mopho
- DSI Evolver Desktop
- Nord Modular G2 Engine
- Jomox Airbase 99
- Sherman Filterbank 2
- TC Electronic M-One XL
- Akai S5000
- Samson S-Com
- MXR Doubleshot Distortion
- Soundcraft MPM20/2
- Motu Midi Express 128
- 2x Behringer Ultrapatch Patchbays
- EMU Xboard 25
- Akai MPD24
Synths:
Roland Jupiter4
Roland Juno60
Roland SH101
Roland MC202
Roland TB303
Korg Mono/Poly
CasioTone MT45
Drums:
Roland TR606
Roland TR727
Roland TR808
Roland TR909
Boss DR55
Recording:
Revox A77 mk IV
iMac + ECHO audiofire2
Mixing:
SoundCraft Spirit FX8
Boss KM60
Sequencing:
Roland MSQ700
Doepfer MAQ 16/3
My hands.
EFX:
Ibanez AD202
Ibanez UE400
Ibanez HD1000
Dynacord DRS78
Maxon AD900
dbx 166xl
Drawmer MX30
Boss SD1
Boss PD1
Boss HM2
Proco RAT
???? nog nooit van gehoord???
Roland Jupiter4
Roland Juno60
Roland SH101
Roland MC202
Roland TB303
Korg Mono/Poly
CasioTone MT45
Drums:
Roland TR606
Roland TR727
Roland TR808
Roland TR909
Boss DR55
Recording:
Revox A77 mk IV
iMac + ECHO audiofire2
Mixing:
SoundCraft Spirit FX8
Boss KM60
Sequencing:
Roland MSQ700
Doepfer MAQ 16/3
My hands.
EFX:
Ibanez AD202
Ibanez UE400
Ibanez HD1000
Dynacord DRS78
Maxon AD900
dbx 166xl
Drawmer MX30
Boss SD1
Boss PD1
Boss HM2
Proco RAT
Okee mijn gierlijst.......
DRUMS
9090 Rhtyhm Composer incl. MB SEQ V3 DIY (nog niet af)
Roland TR-606 Tom Klein's EVIL 606
Roland TR-606 Original Mint VERKOCHT
Roland TR-505 Modded
Roland TR-505 Original
Boss DR-55 Modded
Boss DR-110 Modded
Soundmaster SR 88 Modded
SYNTHS
Sequential Circuits Pro One
Roland JX3P met Organix Midi Upgrade
Roland MC-202
Roland MC-303
Crumar Bit One
Korg M1 Half werkend???
TBS-303 MK II VERKOCHT
Will Systems MAB-303
Will Systems MAB-303
MB "SIDDER" QuattroSID! DIY (nog niet af)
Quasimidi Quasar TRE Expansion
E-MU Orbit 9090 V2 VERKOCHT
Yamaha PSS570 Circuit Bend
HOME MADE MODULAIR (in progress)
EFM Wildcat DIY (in progress)
Thomas Henry 566 VCO DIY
Polyvoks VCF DIY
ARP 2600 VCF DIY
BFX Tube VCA DIY
BFX Tube VCF DIY
Thomas Henry MT 100 Midi To CV DIY
Roland M185 Sequencer DIY
More to come.......
FXXXXXssss
SSL 4000 Dual Stereo Compressor DIY
Dynacord DDL-12
Dynacord DDL-12
Dynacord DRP-16
Dynacord TAM-19
Dynacord VRS-23 VERKOCHT
Dynacord VRS-23
Dynacord DRS-78
Dynacord DRS-78
ZOOM RFX-1000
Lem CLX 2-2 Comp. Lim. Exp.
Technics SH-8045 EQ
Boss DS-1 (2x) Keeley Mods, Monte Allums Mods
Boss MT-2 PedalDoc Mods GERESERVEERD
Boss SD-1 Monte Allums GT1 Mods
EH MuffFuzz Clone DIY
DOD Opto Compressor 280 Clone DIY
SEQUENCING & SAMPLING
D&R Dayner 34-8-4 with FSS
Mackie 1402-VLZ Pro
Atari 1040 STE with Cubase 3.0
Akai S-2800
Evolution MK249C2
JBL Control 5+
En de hele kolerezooi is te koop. Ik ga emigreren...geen grap.
DRUMS
9090 Rhtyhm Composer incl. MB SEQ V3 DIY (nog niet af)
Roland TR-606 Tom Klein's EVIL 606
Roland TR-606 Original Mint VERKOCHT
Roland TR-505 Modded
Roland TR-505 Original
Boss DR-55 Modded
Boss DR-110 Modded
Soundmaster SR 88 Modded
SYNTHS
Sequential Circuits Pro One
Roland JX3P met Organix Midi Upgrade
Roland MC-202
Roland MC-303
Crumar Bit One
Korg M1 Half werkend???
TBS-303 MK II VERKOCHT
Will Systems MAB-303
Will Systems MAB-303
MB "SIDDER" QuattroSID! DIY (nog niet af)
Quasimidi Quasar TRE Expansion
E-MU Orbit 9090 V2 VERKOCHT
Yamaha PSS570 Circuit Bend
HOME MADE MODULAIR (in progress)
EFM Wildcat DIY (in progress)
Thomas Henry 566 VCO DIY
Polyvoks VCF DIY
ARP 2600 VCF DIY
BFX Tube VCA DIY
BFX Tube VCF DIY
Thomas Henry MT 100 Midi To CV DIY
Roland M185 Sequencer DIY
More to come.......
FXXXXXssss
SSL 4000 Dual Stereo Compressor DIY
Dynacord DDL-12
Dynacord DDL-12
Dynacord DRP-16
Dynacord TAM-19
Dynacord VRS-23 VERKOCHT
Dynacord VRS-23
Dynacord DRS-78
Dynacord DRS-78
ZOOM RFX-1000
Lem CLX 2-2 Comp. Lim. Exp.
Technics SH-8045 EQ
Boss DS-1 (2x) Keeley Mods, Monte Allums Mods
Boss MT-2 PedalDoc Mods GERESERVEERD
Boss SD-1 Monte Allums GT1 Mods
EH MuffFuzz Clone DIY
DOD Opto Compressor 280 Clone DIY
SEQUENCING & SAMPLING
D&R Dayner 34-8-4 with FSS
Mackie 1402-VLZ Pro
Atari 1040 STE with Cubase 3.0
Akai S-2800
Evolution MK249C2
JBL Control 5+
En de hele kolerezooi is te koop. Ik ga emigreren...geen grap.
Waar ga je heen emigreren dan..? Limburg???
Destination Unknown...enne Limburg is nog steeds NL....daar sowieso buiten.......ik ga naar me familie toe.....iig weg uit Holland...
horny rabbit
Stamgast
- Lid sinds
- 17 Maart 2007
- Berichten
- 441
hmm dan doe ik ook maar eens een listje.
edp wasp
moog micromoog
sh-101
juno60
an1x
casio sk1
casio vl tone
casio tonebank10 (ofzo)
cp30
tr-606
simmons sds400
rx5
rx21l
drummulator(niet werkend)
electribe esx1
alesis sr16
premier apk aneversary.
zildjian a custom 13" crash
a 14" crash 19" avidis ping ride
sabbian hihat.
thunder drumstelletje.
cemco, premier, yamaha bas pedaaltjes.
dd drumtriggers
td7
ted drum modulles. 6 stuks
acoustic model220 bass versterker
lem 80 bass versterker
yamaha mc2404II mixer
behringer autocom.
krk rp4
yamaha 150II mixer
bell mdx1200 mixer
nog een paar gitaren.
aplle intel duo2 dingus met ableton 7.0 full version
saffire geluidskaart
boss be5
mutron phasor 2
hughes & kettner tube drive
boss digi delay
akai headrush
komende vrijdag een re-201 (yes)
nog een aantal trommeltjes bongos etc.
rammelaars, shakers.
m'n stembanden, en handjes
ow en een oberkornIII
doepfer mcv4
philips mfb boxen
revox a77
sharp solid state stereo tape recorder
moog song producer
edp wasp
moog micromoog
sh-101
juno60
an1x
casio sk1
casio vl tone
casio tonebank10 (ofzo)
cp30
tr-606
simmons sds400
rx5
rx21l
drummulator(niet werkend)
electribe esx1
alesis sr16
premier apk aneversary.
zildjian a custom 13" crash
a 14" crash 19" avidis ping ride
sabbian hihat.
thunder drumstelletje.
cemco, premier, yamaha bas pedaaltjes.
dd drumtriggers
td7
ted drum modulles. 6 stuks
acoustic model220 bass versterker
lem 80 bass versterker
yamaha mc2404II mixer
behringer autocom.
krk rp4
yamaha 150II mixer
bell mdx1200 mixer
nog een paar gitaren.
aplle intel duo2 dingus met ableton 7.0 full version
saffire geluidskaart
boss be5
mutron phasor 2
hughes & kettner tube drive
boss digi delay
akai headrush
komende vrijdag een re-201 (yes)
nog een aantal trommeltjes bongos etc.
rammelaars, shakers.
m'n stembanden, en handjes
ow en een oberkornIII
doepfer mcv4
philips mfb boxen
revox a77
sharp solid state stereo tape recorder
moog song producer
Nou vooruit dan 
:
Synths
- Roland Jupiter 4
- EDP Wasp
- EDP Gnat
- Oxford OSCar
- Macbeth M3X
Drums
- Roland TR808
(Loop)Samplers
- Akai S950
- Yamaha SU700
EFX
- TC D-Two
- Marshall TM5402
- Roland Space Echo RE201
- Dynacord DRS78
- D&R dual Compressor
- Ensoniq DP4
Sequencing
- Akai MPC2000XL
- MFB64 Step
DAW
- Ableton Live 7
- MOTU 828MK3
- Powerbook G4
Mixing
- Mackie CR1604 (2x)
- UMX SE
Recording
- Boss Micro BR
- Pioneer MJ707
Protocol converters
- Kenton Pro Solo & Wasp port
Controllers
- Kenton Control Freak
:Synths
- Roland Jupiter 4
- EDP Wasp
- EDP Gnat
- Oxford OSCar
- Macbeth M3X
Drums
- Roland TR808
(Loop)Samplers
- Akai S950
- Yamaha SU700
EFX
- TC D-Two
- Marshall TM5402
- Roland Space Echo RE201
- Dynacord DRS78
- D&R dual Compressor
- Ensoniq DP4
Sequencing
- Akai MPC2000XL
- MFB64 Step
DAW
- Ableton Live 7
- MOTU 828MK3
- Powerbook G4
Mixing
- Mackie CR1604 (2x)
- UMX SE
Recording
- Boss Micro BR
- Pioneer MJ707
Protocol converters
- Kenton Pro Solo & Wasp port
Controllers
- Kenton Control Freak
Laatst gewijzigd:
gearlist
gearlist
synths:
waldorf blofeld
dsi evolver
nord micro modular
yamaha DX7mk2
waldorf rack attack
sequencer:
akai asq-10 (helaas stuk)
FX:
zoom rfx1000
alesis midiverb3
alesis bitrman
akai mfc42
dod delay/sampler
alesis microverb3
alesis microEQ
apsi 559 (x9) in modulaire opzet
mixers:
spirit folio rackpack
ross rcs1602 (gare verroestte bak, maar klinkt vet)
behringer bcr2000
interface:
m-audio audiophile usb
rest:
monarch mme80 midi expander
behringer ultrapatch pro
software:
cycling74 maxmsp
ableton live
gearlist
synths:
waldorf blofeld
dsi evolver
nord micro modular
yamaha DX7mk2
waldorf rack attack
sequencer:
akai asq-10 (helaas stuk)
FX:
zoom rfx1000
alesis midiverb3
alesis bitrman
akai mfc42
dod delay/sampler
alesis microverb3
alesis microEQ
apsi 559 (x9) in modulaire opzet
mixers:
spirit folio rackpack
ross rcs1602 (gare verroestte bak, maar klinkt vet)
behringer bcr2000
interface:
m-audio audiophile usb
rest:
monarch mme80 midi expander
behringer ultrapatch pro
software:
cycling74 maxmsp
ableton live
