Headroom11
Ingeburgerd
Headroom, Nieuwe Vide present:
Soundtracks By Artifacts
elektronik sounds for your ears, mind and feet
genres [idm,elektro,tech,mnml]
Sunday February 1st, Nieuwe Vide Art Venue, Haarlem
Minckelersweg 6 (lichtfabriek area)
it's for free!
16.00 - 00.00
all info including directions: http://www.headroom.nl - http://www.nieuwevide.nl
__________________________________
LIVE:
TWINE [Ghostly Intl | BiP-HOp, U$A]
KASSEN [Creme Organization, NL]
RUDE66 [Bunker Records, NL]
DJ-consoles:
No Pan [Headroom, U$A-JP]
Dirty D [Headroom, NL]
Nimrodpower [Headroom, NL]
Video:
Phase 4 [Headroom, Bip-HOp, Ghostly, Pirate TV.net, U$A]
Sims [Headroom, NL]
Mijwaard+Lemmens [Vdeotroopers, NL]
_______________________________
TWINE
Baltimore, Maryland's Greg Malcolm and Boulder, Colorado¹s Chad Mossholder comprise a unique musical entity. Because of their physical distance, their collaboration is held in the virtual realm and their music contains a mysterious and unresolved quality.
Having recorded for labels such as Bip-Hop (France), Hefty (USA) and
Komplott (Sweden) and performed live all over this world, they have quickly found themselves in the pantheon of American producers in the abstract field.
Their recordings for Ghostly, beginning with Fall 2003's Self-Titled LP,
continues with their moody soundscapes, this time augmented by the etherial moans of distant female voices. Comparisons to artists such as Cocteau Twins and Fennesz can be made, but Twine's sound is entirely their own.
http://www.twinesound.com
http://www.ghostly.com
KASSEN
Kassen Fleeing from the banality of the real world, Kassen ended up
hiding deeply in the darkest realms of sound design. Apart from sending
out his own mutated brand of dubby techno to the almost forgotten world
behind his perpetually closed curtains, he does the engineering and
mixing for Bangkok Impact/Sami's live performances. Combining their
excentricities and know-how, they also recorded a well received record
together for the Dutch Vynalogica label. When he is not working on his
upcoming full lenght album for Creme he is building his own modular
system together with Legowelt.
http://www.creme-organization.nl/
http://www.cemstudio.com/vynalogicaindex.htm
RUDE66
From deep atmospheric soundtrack acid to sharp minimalistic industrial techno and dark industrial electro-funk, Rude 66 has done it with a dystopian edge of new wave-futurism. Via Noise and EBM in the 80's Rude 66 landed on Bunker Records in 1993, where with Unit Moebius and Beverly Hills 808303 he helped define the Acid Sound of The Hague: lo-fi acid from the sewer.
Broadening the spectrum with releases on Djax-Up-Beats, Silver Recordings and an evil drum & bass ep on Chicago's Kultbox Records, in 1997 Rude 66, bored with corporate techno and empty distorted acid, evolved his style to dark electrofunk. The revived Bunker Records fit the new tracks like a glove, resulting in the now classic Devils Machine 6-tracker from 2000. 2 years later it was followed by by De Wraak der Wegpiraten, tracks of which have appeared in a lot of electro dj-sets.
Rude 66's acclaimed live shows are intense improvisation workouts including vocals and scratching, based loosely on the studio tracks. Recently billed 'The king of the dark electro-wave deathrace' by slick promotors, Rude likes his tracks to sound like you're on the red carpet pathway to hell. Dancing.
The Devils Beat EP on the notorious Viewlexx Records is scheduled for January 2004.
http://www.globaldarkness.com
Soundtracks By Artifacts
elektronik sounds for your ears, mind and feet
genres [idm,elektro,tech,mnml]
Sunday February 1st, Nieuwe Vide Art Venue, Haarlem
Minckelersweg 6 (lichtfabriek area)
it's for free!
16.00 - 00.00
all info including directions: http://www.headroom.nl - http://www.nieuwevide.nl
__________________________________
LIVE:
TWINE [Ghostly Intl | BiP-HOp, U$A]
KASSEN [Creme Organization, NL]
RUDE66 [Bunker Records, NL]
DJ-consoles:
No Pan [Headroom, U$A-JP]
Dirty D [Headroom, NL]
Nimrodpower [Headroom, NL]
Video:
Phase 4 [Headroom, Bip-HOp, Ghostly, Pirate TV.net, U$A]
Sims [Headroom, NL]
Mijwaard+Lemmens [Vdeotroopers, NL]
_______________________________
TWINE
Baltimore, Maryland's Greg Malcolm and Boulder, Colorado¹s Chad Mossholder comprise a unique musical entity. Because of their physical distance, their collaboration is held in the virtual realm and their music contains a mysterious and unresolved quality.
Having recorded for labels such as Bip-Hop (France), Hefty (USA) and
Komplott (Sweden) and performed live all over this world, they have quickly found themselves in the pantheon of American producers in the abstract field.
Their recordings for Ghostly, beginning with Fall 2003's Self-Titled LP,
continues with their moody soundscapes, this time augmented by the etherial moans of distant female voices. Comparisons to artists such as Cocteau Twins and Fennesz can be made, but Twine's sound is entirely their own.
http://www.twinesound.com
http://www.ghostly.com
KASSEN
Kassen Fleeing from the banality of the real world, Kassen ended up
hiding deeply in the darkest realms of sound design. Apart from sending
out his own mutated brand of dubby techno to the almost forgotten world
behind his perpetually closed curtains, he does the engineering and
mixing for Bangkok Impact/Sami's live performances. Combining their
excentricities and know-how, they also recorded a well received record
together for the Dutch Vynalogica label. When he is not working on his
upcoming full lenght album for Creme he is building his own modular
system together with Legowelt.
http://www.creme-organization.nl/
http://www.cemstudio.com/vynalogicaindex.htm
RUDE66
From deep atmospheric soundtrack acid to sharp minimalistic industrial techno and dark industrial electro-funk, Rude 66 has done it with a dystopian edge of new wave-futurism. Via Noise and EBM in the 80's Rude 66 landed on Bunker Records in 1993, where with Unit Moebius and Beverly Hills 808303 he helped define the Acid Sound of The Hague: lo-fi acid from the sewer.
Broadening the spectrum with releases on Djax-Up-Beats, Silver Recordings and an evil drum & bass ep on Chicago's Kultbox Records, in 1997 Rude 66, bored with corporate techno and empty distorted acid, evolved his style to dark electrofunk. The revived Bunker Records fit the new tracks like a glove, resulting in the now classic Devils Machine 6-tracker from 2000. 2 years later it was followed by by De Wraak der Wegpiraten, tracks of which have appeared in a lot of electro dj-sets.
Rude 66's acclaimed live shows are intense improvisation workouts including vocals and scratching, based loosely on the studio tracks. Recently billed 'The king of the dark electro-wave deathrace' by slick promotors, Rude likes his tracks to sound like you're on the red carpet pathway to hell. Dancing.
The Devils Beat EP on the notorious Viewlexx Records is scheduled for January 2004.
http://www.globaldarkness.com
