Een gelimiteerde oplage van de Bananalogue Serge VCS Module. Dit is een moderne versie van Serge Tcherepnin's Klasieke Universal Slope Generator. Deze module is ontworpen door Ken Stone en Seth Nemec, met Serge's Toestemming
Klik hier voor meer info
Serge VCS in Doepfer formaat
- Thread starter mono-poly
- Start date
Een gelimiteerde oplage van de Bananalogue Serge VCS Module. Dit is een moderne versie van Serge Tcherepnin's Klasieke Universal Slope Generator. Deze module is ontworpen door Ken Stone en Seth Nemec, met Serge's Toestemming
Klik hier voor meer info
Ik heb 'm inmiddels binnen & gemonteerd.
bouwkwaliteit is top.
Deze module is idd "diep"
Ik weet redelijk wat van modulaire systemen, maar voordat ik alle mogelijkheden hiervan door heb moet ik nog even doorstuderen.
Gebruik als LFO, EG, VCF is redelijk simpel
Hij kan ook als VCO werken, maar de schaling is bij mijn model niet helemaal 1 V/octaaf
Ik moet dit via de trimmer nog even bijstellen. Voedingsnoertje is alleen wat kort
Ik houd U op de hoogte.
mono-poly
Cheff Noodle
- Lid sinds
- 9 mei 2002
- Berichten
- 12.985
Wat tips mischien?
Wizardry: The Slope Generator's output is linear, but by patching the output back into the attenuated VC input you can create exponential waveforms (with the attenuator knob set after 12 o'clock) or log waveforms (with the knob set before 12 noon).
How can this module act as a filter? It slew-limits the high frequency components of the incoming signal, at a rate set by rise and fall knobs, and VC. If the rise and fall knobs are set fully clockwise (fastest rate), filtering will be audibly minimal, seeing as the Slope Generator is responding rapidly to input. Turning rise and fall knobs counterclockwise increases the response time, and high frequency content at the output will decrease. Turn them fully counterclockwise and audio output will be minimal. So feed this thing a low harmonic content waveform like a sine or triangle, and you've got a rough equivalent VCA!
This sort of filtering action is more subtle than the regular VCFs, though a bit more obvious than a 'tone control.' Good for mellowing out raspy and buzzy tones.
Cross-connecting two Slope Generators together generates interesting 'chaotic' waveforms. Connect the output of one to the attenuated VC input of the other, then take the output of the second and patch it to the input of the first. Play with the attenuator settings.
The DSG has a 'Rise-Both-Fall' switch. This determines whether the control voltage coming in at the 'VC IN' jack controls the rise time, the fall time, or both. Since you can use feedback to create output exponential or logarithmic output curves, you can use this switch to create combination curves where the rise is linear (set the switch to FALL) and the fall is exponential or logarithmic, or the rise is curved and the fall linear, etc. The 1V/OCT jack is not affected by the switch.
The LED's on this module and a few others act as a level indicator, dark=off, bright=full on, or in-between.
Tweaks: The panel layout of this module has been changed around, and now it includes a bipolar jack. This AC-couples the output so you can do nice vibrato (which needs bipolar FM).
Wizardry: The Slope Generator's output is linear, but by patching the output back into the attenuated VC input you can create exponential waveforms (with the attenuator knob set after 12 o'clock) or log waveforms (with the knob set before 12 noon).
How can this module act as a filter? It slew-limits the high frequency components of the incoming signal, at a rate set by rise and fall knobs, and VC. If the rise and fall knobs are set fully clockwise (fastest rate), filtering will be audibly minimal, seeing as the Slope Generator is responding rapidly to input. Turning rise and fall knobs counterclockwise increases the response time, and high frequency content at the output will decrease. Turn them fully counterclockwise and audio output will be minimal. So feed this thing a low harmonic content waveform like a sine or triangle, and you've got a rough equivalent VCA!
This sort of filtering action is more subtle than the regular VCFs, though a bit more obvious than a 'tone control.' Good for mellowing out raspy and buzzy tones.
Cross-connecting two Slope Generators together generates interesting 'chaotic' waveforms. Connect the output of one to the attenuated VC input of the other, then take the output of the second and patch it to the input of the first. Play with the attenuator settings.
The DSG has a 'Rise-Both-Fall' switch. This determines whether the control voltage coming in at the 'VC IN' jack controls the rise time, the fall time, or both. Since you can use feedback to create output exponential or logarithmic output curves, you can use this switch to create combination curves where the rise is linear (set the switch to FALL) and the fall is exponential or logarithmic, or the rise is curved and the fall linear, etc. The 1V/OCT jack is not affected by the switch.
The LED's on this module and a few others act as a level indicator, dark=off, bright=full on, or in-between.
Tweaks: The panel layout of this module has been changed around, and now it includes a bipolar jack. This AC-couples the output so you can do nice vibrato (which needs bipolar FM).
mono-poly
Cheff Noodle
- Lid sinds
- 9 mei 2002
- Berichten
- 12.985
