Nog wat aanvullende Engels info over de Matrix 1000:
The analog Matrix 1000 is essentially 1,000 Matrix 6 patches in a single-space compact rackmount MIDI module. It has the same synth architecture as the Matrix 6. Each of its 6 voices have two DCO's (digitally controlled analog oscillator), a low pass filter, 2 VCA's, 3 envelope gens, 2 LFO's, and 2 ramp gens. The sounds are plentiful and good enough, however if you want to edit your own, you'll need a Matrix 6/6R or some universal editor (such as MOTU's Unisyn) to externally edit parameters. You can also load sounds from the Matrix 6 via SysEx or software.
The Matrix 1000 provides an excellent source of pads, textures and ambient sounds. It has 195 "keyboard" sounds, 118 "strings", 130 "woodwinds & perc", 239 "synthesizer", 119 "bass", 74 "lead" and 125 "effects". For the price, there is no better way to find genuine analog Oberheim Matrix sounds in a compact and very in-expensive rack module that is loaded with more sounds than you'll ever need! The older versions of the Matrix 1000 have a black front-panel. The newer models in the '90's have a cream face-plate (pictured above). It has been used by Apollo 440, Juno Reactor, Moby, Cirrus, Fatboy Slim, Laurent Garnier, ATB, Depeche Mode, Future Sound of London, Pet Shop Boys, and Faithless.
de Kawai K3m:
The K3 uses the same technologies as the popular K1. Although it was among the first from Kawai, it is surpassed by the K1 and K5. The K3 is a wavetable synthesizer. It has 32 waveforms, some of which are samples of acoustic instruments like piano and percussion as well as some unique waveforms. By combining two of these waveforms you can create unique new sounds or add a twist to a traditional sound. Since there are only 32 of these waveforms, the K3 also features a programmable digital waveform where you can tweak the harmonic content of a waveform allowing for added flexibility and range of sounds.
What's really neat about the K3 is that (unlike the K1) it has analog filters and envelopes! So although the sound may be digital at first, it sure does get warmed going through the filter. The low pass resonant filter even has its own envelope generator. There's also a hi pass filter and a highly flexible LFO. The K3 is an interesting synth, nicely bridging the gap between the analog and digital domain of vintage synthesizers. The K3M is a rackmount module version of the K3.
De K3m heeft dezelfde filters als de SX210/240 (en de Teisco's natuurlijk)
