MIJN 100% IN ORDE OBERHEIM MATRIX 12
WERKEND TE ZIEN EN UIT TE PROBEREN
MIST 1 KLEIN RUBBER POOTJE VERDER IN ZEER MOOIE STAAT
DIT IS EEN UNIEKE SYNTH GAAT OOK NIET VOOR EEN KOOPJE WEG
Oberheim's Matrix 12 is a legendary analog synthesizer from the mid-eighties that is still the king of analog sounds. One of the fattest, roundest, pleasantly analog synthesizers around! It's long been known for creating some of the thickest and best analog pads, sweeps, buzzes, basses and textures. It features Matrix Modulation for extremely wild virtual patching for almost unlimited range of sounds and modulation capabilities!
The Matrix 12 is similar to the Xpander and the lighter Matrix 6. But the Matrix 12 is much fatter and more programmable than either. Every control can have an effect on some other parameter thanks to Oberheim's flexible design. For example, there are 15 types of LFOs and VCAs per voice! And there's plenty of diagrams drawn out on the front panel of the synth to help you figure out some signal routing. This is not a synth for the beginner. It is used by The Orb, Gravity Kills, Vangelis, Technotronic, and Depeche Mode.
The Matrix-12, truly one of the "Monsters" of programmable analog synthesizers. It is basically two complete Oberheim Xpanders hooked up to a velocity-sensitive (including release velocity), pressure-sensitive (there were some early Matrix-12s that did not have pressure-sensitivity), 5-octave, 61-note (C-C) keyboard. With 24 oscillators (two VCOs per voice) it can be set up as a 12-part monophonic or a 6-part polyphonic multi-timbral synth. The front panel is exactly like the Xpander, except for one button that switches between voices 1-6 and 7-12.
Like the Xpander, each voice consists of 2 VCOs (triangle, saw, pulse, or noise, VCO2 could be synced to VCO1), a multimode VCF (low-pass, band-pass, notch-pass, high-pass and four "combination" filter modes), and 4 VCA's (in line one after each oscillator and two after the VCF). FM of VCO1 and the VCF is possible via VCO1. The filters can also be set as 1-pole (6dB/octave), 2-pole (12dB/octave), 3-pole (18dB/octave), or 4-pole (24dB/octave). All oscillators and filters can be tuned by a handy auto-tuned routine. In addition to this basic synth engine, the Matrix-12 has a number of separate modules that can be inserted in any modulation path. These include (10) LFO's with basic waves plus sample-and-hold and random functions, 6 tracking generators, 6 ramp generators, two lag processors (they do not necessarily have to be used for portamento), and 1 additional global LFO to be used with the Mod Wheel.
Unlike the Xpander, the Matrix-12 does not have individual outputs (although they were available as an option, which involved replacing a side panel to make room for the connectors) or CV/gate inputs.
vaste prijs 3750
WERKEND TE ZIEN EN UIT TE PROBEREN
MIST 1 KLEIN RUBBER POOTJE VERDER IN ZEER MOOIE STAAT
DIT IS EEN UNIEKE SYNTH GAAT OOK NIET VOOR EEN KOOPJE WEG
Oberheim's Matrix 12 is a legendary analog synthesizer from the mid-eighties that is still the king of analog sounds. One of the fattest, roundest, pleasantly analog synthesizers around! It's long been known for creating some of the thickest and best analog pads, sweeps, buzzes, basses and textures. It features Matrix Modulation for extremely wild virtual patching for almost unlimited range of sounds and modulation capabilities!
The Matrix 12 is similar to the Xpander and the lighter Matrix 6. But the Matrix 12 is much fatter and more programmable than either. Every control can have an effect on some other parameter thanks to Oberheim's flexible design. For example, there are 15 types of LFOs and VCAs per voice! And there's plenty of diagrams drawn out on the front panel of the synth to help you figure out some signal routing. This is not a synth for the beginner. It is used by The Orb, Gravity Kills, Vangelis, Technotronic, and Depeche Mode.
The Matrix-12, truly one of the "Monsters" of programmable analog synthesizers. It is basically two complete Oberheim Xpanders hooked up to a velocity-sensitive (including release velocity), pressure-sensitive (there were some early Matrix-12s that did not have pressure-sensitivity), 5-octave, 61-note (C-C) keyboard. With 24 oscillators (two VCOs per voice) it can be set up as a 12-part monophonic or a 6-part polyphonic multi-timbral synth. The front panel is exactly like the Xpander, except for one button that switches between voices 1-6 and 7-12.
Like the Xpander, each voice consists of 2 VCOs (triangle, saw, pulse, or noise, VCO2 could be synced to VCO1), a multimode VCF (low-pass, band-pass, notch-pass, high-pass and four "combination" filter modes), and 4 VCA's (in line one after each oscillator and two after the VCF). FM of VCO1 and the VCF is possible via VCO1. The filters can also be set as 1-pole (6dB/octave), 2-pole (12dB/octave), 3-pole (18dB/octave), or 4-pole (24dB/octave). All oscillators and filters can be tuned by a handy auto-tuned routine. In addition to this basic synth engine, the Matrix-12 has a number of separate modules that can be inserted in any modulation path. These include (10) LFO's with basic waves plus sample-and-hold and random functions, 6 tracking generators, 6 ramp generators, two lag processors (they do not necessarily have to be used for portamento), and 1 additional global LFO to be used with the Mod Wheel.
Unlike the Xpander, the Matrix-12 does not have individual outputs (although they were available as an option, which involved replacing a side panel to make room for the connectors) or CV/gate inputs.
vaste prijs 3750
