Yamaha SPX90II DEFECT
Yamaha SPX90II DEFECT
Yamaha SPX90II de classic !
Helaas is hij er mee opgehouden, geen geluid meer op de input en op de outputs. als je tikje geeft op de unit hoor je wat gekraak en de cijfers verspringen afentoe.
Voor de handige Harrie !
50E
Features
Reverb
The SPX90II recreates the reverberation produced in a variety of environments, adding natural, live fullness to your sound.
Early Reflections
Early reflection programs simulate the first few reflections that
occur just after a sound is produced - before the reflections become
dense enough to be called reverberation - adding punch and presence to
vocals and instruments.
Delay
Delay effects offer independently variable left and right channel
delays adding special interest to a common effect and permitting the
creation of "doubled" sound.
Echo
Similar to delay, Echo brings added dimension and force to both
instrumental and vocal music, producing limitless signal variations.
Independent programming of left and right channel feedback levels makes
it possible to create extremely complex echo effects.
Modulation
Modulation effects are produced by periodically varying the
amplitude, frequency, or delay time of an input signal. Popular effects
like Stereo Flange, Chorus, Stereo Phasing, Tremolo, and Symphonic are
all available and can dramatically thicken the sound of any instrument.
Pan
This program automatically pans the second image between left and
right in the stereo sound field. Pan direction, speed, and depth can be
programmed for instant recall.
Delay Vibrato
The Vibrato effect produces minute pitch variations that are
adjustable over a wide range. Vibrato can give your keyboard, guitar,
or wind instrument a distinctively "vocal" quality.
Reverb & Gate
This program combines the SPX90II's superlative reverb sound with a
programmable "gate". The gate, with programmable trigger level, hold
and release times, can be used to shape the envelope of the reverb
sound, creating some unique and unusual reverb contours that can really
enrich your effect "vocabulary".
Pitch Change
Pitch Change programs alter the pitch of an input signal in semitone
increments over a two-octave range (plus or minus one octave). Fine
adjustment in one-cent increments is also possible (one cent = 1/100 of a
semitone) Pitch change permits detuning an instrument to create subtle
chorus-like effects and to create complete ensembles with a single
instrument. This feature can be remotely controlled by a MIDI keyboard
or sequencer.
Freeze
These are sampling programs which permit recording a sound segment in
the memory. The entire sound or specific portion of it may then be
played back as required. The FREEZE B program even permits changing the
pitch of the sampled sound from a MIDI keyboard, so you can actually
play the sample as if it were a keyboard voice. Playback can be
triggered from the front panel, via a footswitch, or input signal.
Compressor
Compression limits the dynamic range of an input signal, boosting
soft signals and reducing high signals to keep them within the specified
range. This feature provides an effective way to smooth out the
dynamics of a bass guitar, increase the sustain of a guitar, or tame a
"jumpy" vocal performance.
ADR-Noise Gate
This program uses a gate circuit to pass or shut off a short segment
of a longer input signal, or it can be used to pass only signals that
exceed a specific level. Reverse gate effects can be achieved in which
the gain increases gradually after the gate is triggered. In addition to
signal-level triggering, it is also possible to trigger the gate via a
footswitch connected to the front-panel MEMORY/TRIGGER jack.
Parametric EQ
This program enables you to precisely adjust the frequency response
of any signal in four distinct bands: a variable low-pass filter; middle
band peaking EQ with frequency, gain and Q control; high band peaking
EQ with frequency, gain and Q control; and a variable high-pass filter.
This equalizer offers exacting control that lets you achieve virtually
any response you need.
Input Level Control
The input level can be regulated while watching the INPUT LEVEL
meter. The 7-segment LED meter keeps you informed of optimum level and
potential overload distortion. In this way, you can balance the output
of the instrument to the input. A maximum gain of about 10dB is
attainable.
Input Level Meter
This easy-to-read LED level meter is a visual aid to setting
appropriate input levels. The LED's upper red segments will light up
continuously at overload levels.
Parameter Key
Selects successive effect parameters. Pressing this key sequentially
calls the programmable parameters within a currently selected effect
program. Once the desired parameter has been selected the PARAMETER
INCREMENT/DECREMENT keys are used to change the value of that parameter
thereby modifying the effect.
Memory Number LED
This LED display shows the number of the currently selected program.
Memory numbers 1 through 30 contain factory-preset effects. Memory
numbers 31 through 90 can be used to store edited versions of the preset
effects.
LCD Program and Parametric Indicator
High-contrast Liquid Crystal Display indicates effect name and parameter data value.
Remote Control Connector
This permits remote access to SPX90 effect programs.
MIDI In Terminal
This permits SPX90 programs to be automatically selected via a MIDI signal.
