Nieuw Moog product op 29 maart op Musik Messe!!!
- Thread starter Deimos
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Ernst_Hill
Gepokt en gemazeld
- Lid sinds
- 10 september 2003
- Berichten
- 8.088
Dit weekend is er bij Turnkey in London een "Guest only Moog meeting" waar het nieuwe product word geintroduceerd...ik krijg hopelijk fotos gemaakt met het mobieltje van een maatje van me die op de gastenlijst staat...
mono-poly
Cheff Noodle
- Lid sinds
- 9 mei 2002
- Berichten
- 12.985
The L P is a monophonic analog synthesizer, with 100 user editable presets.
Here are some specifications:
Sound Sources:
Two ultra-stable analog VCOs.
Sound Modifiers:
VCLPF: 24 dB /Oct Moog Ladder filter,
Overload control
Single Output VCA.
Envelope Generator section:
Two ADSR EGRs:
One to modulate the Filter (Filter EGR)
One to Modulate the VCA (Volume EGR).
For each EGR, the parameters are:
Attack
Decay
Sustain
Release
Modulation section:
4-waveform LFO
1x1 Mod Buss
6 possible mod sources
4 possible destinations.
User Interface section:
Fine Tune (for both Oscillators)
Glide On/Off
Octave Down
Octave Up
Output section:
Master Volume control
Output On/Off switch
Headphone Volume control
Headphone output jack (1/4”)
I/O Panel Section:
AC In (100-250VAC, 50-60 Hz)
Power On/Off
Audio Out
Ext. Audio In
Pitch CV In (1 V/Oct)
Filter CV In
Volume CV In
Keyboard Gate In
Midi In
Midi Out
http://moogmusic.com/detail.php?main_product_id=227
Vind het toch heet meest op een Source lijken
Origineel geplaatst door mono-poly
The L P is a monophonic analog synthesizer, with 100 user editable presets.
Here are some specifications:
Sound Sources:
Two ultra-stable analog VCOs.
Sound Modifiers:
VCLPF: 24 dB /Oct Moog Ladder filter,
Overload control
Single Output VCA.
Envelope Generator section:
Two ADSR EGRs:
One to modulate the Filter (Filter EGR)
One to Modulate the VCA (Volume EGR).
For each EGR, the parameters are:
Attack
Decay
Sustain
Release
Modulation section:
4-waveform LFO
1x1 Mod Buss
6 possible mod sources
4 possible destinations.
User Interface section:
Fine Tune (for both Oscillators)
Glide On/Off
Octave Down
Octave Up
Output section:
Master Volume control
Output On/Off switch
Headphone Volume control
Headphone output jack (1/4”)
I/O Panel Section:
AC In (100-250VAC, 50-60 Hz)
Power On/Off
Audio Out
Ext. Audio In
Pitch CV In (1 V/Oct)
Filter CV In
Volume CV In
Keyboard Gate In
Midi In
Midi Out
http://moogmusic.com/detail.php?main_product_id=227
Vind het toch heet meest op een Source lijken
die overload control .. is dat een compressor op de outputs ?
maar waar staat die L P nou voor of heb ik dat effe gemist ?
Origineel geplaatst door mono-poly
http://moogmusic.com/detail.php?main_product_id=227
Vind het toch heet meest op een Source lijken
Pagina is alweer verdwenen, of mijn browser heeft kuren. Krijg alleen "Moog test page" te zien
Origineel geplaatst door vos_paul
Gelukkig ben je niet eigenwijs, maar je zou ook eens naar de stand van de zeilen kunnen kijken :confused:
Ja, heb ik idd opgemerkt achteraf. Mijn fout hoor ...
Ik ben erg teleurgesteld door de specificaties. Lijkt me meer een afgeslankte voyager. Ik had wat speciaals verwacht (andere filters erbij ofzo).
G
Guest
Guest
precies mijn eerste gedachte, maar wie weet....
specs zeggen ook niet alles, ik vind de voyager 10 keer beter en lekkerder dan de source, maar toch zit er een scherp randje aan de source-sound, dat je in de voyager niet terugvindt.
mono-poly
Cheff Noodle
- Lid sinds
- 9 mei 2002
- Berichten
- 12.985
The "***" is a monophonic analog synthesizer, with 100 user editable presets.
Synth Engine:
Sound Sources are two ultra-stable analog VCOs. Parameters for the VCOs are:
- Osc. 1 Octave: 16’, 8’, 4’, 2’
- Osc. 1 Wave: Continuously variable from triangle through saw and square to skinny pulse.
- Osc. 1 Level
- Glide Rate
- Osc. 1 2 Sync On/Off
- Osc. 2 Frequency
- Osc. 2 Octave: 16’, 8’, 4’, 2’
- Osc. 2 Wave: Continuously variable from triangle through saw and square to skinny pulse.
- Osc. 2 Level
- Fine Tune (for both Oscillators, located at the bottom left of the panel)
Sound Modifiers include a single VCLPF: 24 dB /Oct Moog Ladder filter, with filter Overload control and a single Output VCA. Filter parameters are:
Cutoff
Resonance
Kb. Control Amount (how much the Key CV modulates the Filter)
Filter Env. Amount (how much +/- the filter envelope modulates the filter)
Overload
An Envelope Generator section provides two ADSR EGRs: one to modulate the Filter (Filter EGR) and one to modulate the VCA (Volume EGR). For each EGR, the parameters are:
Attack
Decay
Sustain
Release
The Modulation section contains a 4-waveform LFO, and a 1x1 Mod Buss with 6 possible mod sources and 4 possible destinations. Its parameters are:
LFO Rate
Mod Source: (LFO triangle, LFO square, LFO sawtooth, LFO ramp, Filt. EGR, and Osc. 2)
Mod Amount (the amount of modulation w/ the mod wheel all the way forward)
Mod Destination (Pitch, Osc. 2, Filter, Wave)
The User Iinterface (UI) section is described in the UI spec, below the LCD and UI controls are the following:
Performance controls:
37-note keyboard
Spring-loaded pitch wheel
Mod Wheel
Glide On/Off
Octave Down
Octave Up
To the right of the front panel is the Output section. There is a Master Volume control, an Output On/Off switch, a Headphone Volume control, and a headphone output jack (1/4” TRS)
The side of the instrument houses the I/O of the instrument.
AC In (100-250VAC, 50-60 Hz)
Power On/Off
Audio Out
Ext. Audio In (accepts +4dBu line level signal)
Pitch CV In (1 V/Oct)
Filter CV In
Volume CV In
Keyboard Gate In
MIDI In
MIDI Out
Basic Editing of sounds
Sound editing of continuous parameters (like Filter Cutoff) is done from the front panel by enabling a parameter with its switch (its LED becomes illuminated), and then adjusting its value control. There are 4 value controls, one for each section: Modulation, Oscillators, Filter, and Envelopes. Each is surrounded by a ring of 15 LEDs that show approximately the stored or edited value of the current parameter. The value controls are analog, and when a parameter is activated, the analog control signal is switched to directly control that parameter (RAC™ or Real Analog Control). For each section, only one continuous parameter can be activated at a time for editing. For parameters that have multiple possibilities (such as Mod Source) pressing that switch advances through the possible Mod sources. For On/Off type switches like Osc. Sync, the LEDs are On when that parameter is on or Off when the parameter is off.
Synth Engine:
Sound Sources are two ultra-stable analog VCOs. Parameters for the VCOs are:
- Osc. 1 Octave: 16’, 8’, 4’, 2’
- Osc. 1 Wave: Continuously variable from triangle through saw and square to skinny pulse.
- Osc. 1 Level
- Glide Rate
- Osc. 1 2 Sync On/Off
- Osc. 2 Frequency
- Osc. 2 Octave: 16’, 8’, 4’, 2’
- Osc. 2 Wave: Continuously variable from triangle through saw and square to skinny pulse.
- Osc. 2 Level
- Fine Tune (for both Oscillators, located at the bottom left of the panel)
Sound Modifiers include a single VCLPF: 24 dB /Oct Moog Ladder filter, with filter Overload control and a single Output VCA. Filter parameters are:
Cutoff
Resonance
Kb. Control Amount (how much the Key CV modulates the Filter)
Filter Env. Amount (how much +/- the filter envelope modulates the filter)
Overload
An Envelope Generator section provides two ADSR EGRs: one to modulate the Filter (Filter EGR) and one to modulate the VCA (Volume EGR). For each EGR, the parameters are:
Attack
Decay
Sustain
Release
The Modulation section contains a 4-waveform LFO, and a 1x1 Mod Buss with 6 possible mod sources and 4 possible destinations. Its parameters are:
LFO Rate
Mod Source: (LFO triangle, LFO square, LFO sawtooth, LFO ramp, Filt. EGR, and Osc. 2)
Mod Amount (the amount of modulation w/ the mod wheel all the way forward)
Mod Destination (Pitch, Osc. 2, Filter, Wave)
The User Iinterface (UI) section is described in the UI spec, below the LCD and UI controls are the following:
Performance controls:
37-note keyboard
Spring-loaded pitch wheel
Mod Wheel
Glide On/Off
Octave Down
Octave Up
To the right of the front panel is the Output section. There is a Master Volume control, an Output On/Off switch, a Headphone Volume control, and a headphone output jack (1/4” TRS)
The side of the instrument houses the I/O of the instrument.
AC In (100-250VAC, 50-60 Hz)
Power On/Off
Audio Out
Ext. Audio In (accepts +4dBu line level signal)
Pitch CV In (1 V/Oct)
Filter CV In
Volume CV In
Keyboard Gate In
MIDI In
MIDI Out
Basic Editing of sounds
Sound editing of continuous parameters (like Filter Cutoff) is done from the front panel by enabling a parameter with its switch (its LED becomes illuminated), and then adjusting its value control. There are 4 value controls, one for each section: Modulation, Oscillators, Filter, and Envelopes. Each is surrounded by a ring of 15 LEDs that show approximately the stored or edited value of the current parameter. The value controls are analog, and when a parameter is activated, the analog control signal is switched to directly control that parameter (RAC™ or Real Analog Control). For each section, only one continuous parameter can be activated at a time for editing. For parameters that have multiple possibilities (such as Mod Source) pressing that switch advances through the possible Mod sources. For On/Off type switches like Osc. Sync, the LEDs are On when that parameter is on or Off when the parameter is off.
Arv
Robot
Ik heb nog nooit van mijn leven een voyager of source aangeraakt laat staan gehoord. Hoe kan ik nu warm lopen voor deze nieuwe Moog telg? Of ben ik nu een ketter....
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