de vetste écht hybride synth?
- Thread starter pal
- Start date
sweety
Ouwe rot
vergeet de ondergewaardeerde Kawai k3 niet of k3m
ProtoHuman
Gepokt en gemazeld
Waldorf Pulse (DCO's toch?)
Alex Omega
a.k.a Brainthief
waldorf puls heeft toch analoge osc digitaal aangestuurd?
dus wel analoog geluidspad....
geen hybride lijkt me....
dus wel analoog geluidspad....
geen hybride lijkt me....
ProtoHuman
Gepokt en gemazeld
Re: de vetste écht hybride synth?
Volgens pal in de beginpost:
Volgens pal in de beginpost:
Dus ik dacht, ach... de mooie Pulse met z'n DCO's mag er ook tussen
Sly Dog
Tweak, Sample, Loop.
Re: Re: de vetste écht hybride synth?
Re: Re: de vetste écht hybride synth?
Doelt Pal trouwens niet meer op synths die verschillende klankopwekkingsmogelijkheden hebben?
Dus substractief gecombineerd met bijvoorbeeld fm, sampling, wavetables, etc.?
Re: Re: de vetste écht hybride synth?
Dus dan mag de Juno-60 er ook bijstaan?Origineel geplaatst door ProtoHuman
Volgens pal in de beginpost:
Dus ik dacht, ach... de mooie Pulse met z'n DCO's mag er ook tussen
Doelt Pal trouwens niet meer op synths die verschillende klankopwekkingsmogelijkheden hebben?
Dus substractief gecombineerd met bijvoorbeeld fm, sampling, wavetables, etc.?
electricman
Stamgast
- Lid sinds
- 30 Maart 2003
- Berichten
- 330
Oke staat al genoemd maar ik vindt de Dave Smith Evolver de vetste hybride synth.
Hier nog wat info:
Four oscillators in total: two analog, two digital
Analog Oscillator waveshape are Sawtooth, Triangle, Saw-Triangle, and Pulse (with voltage-controlled analog Pulse-Width modulation)
Digital Oscillators select from 96 wavetables from the Prophet-VS (128 x 12 bits), and 32 user-loadable (via MIDI) Wavetables (128 x 16 bits). The Digital Oscillators get trashy as the frequency gets higher, as with the original VS.
Hard Sync on the analog oscillators
FM and Ring Mod on the digital oscillators
Separate Glide per oscillator, with two glide modes
Real voltage-controlled analog lowpass filters - not digital recreations. 4-pole/2-pole switchable, fully resonant (in 4-pole mode). There are two separate filters, one for the left channel and one for the right.
Analog Voltage Controlled Amplifiers (VCA), again one for each channel.
Dual digital 4-pole Highpass filters (one per channel); place before or after analog electronics.
Stereo audio inputs; Noise generator
Envelope Follower and Peak Detect from External Input to use as modulation sources
External Input can be used to gate envelopes and/or step the Sequencer
Three snappy ADSR envelopes
Four LFOs (sync with sequencer and MIDI)
Dual (left and right channel) tunable feedback loops; modulate frequency and amount
Delay with 3 taps; each with separate time and amount modulation. Syncs to sequencer/MIDI. Normal feedback and additional feedback path through analog filters
Distortion! Digital, one for each channel, can be placed before or after analog electronics
4 Banks of 128 Programs for 512 total Programs - dump to/from MIDI
16 x 4 Analog-style sequencer - syncs with MIDI
Extensive Modulation capabilities, including audio-range modulation. Bipolar (+/-) modulation.
A bunch of MIDI stuff
The internal computer and DSP chips can be reprogrammed via MIDI, for easy feature additions
Hier nog wat info:
Four oscillators in total: two analog, two digital
Analog Oscillator waveshape are Sawtooth, Triangle, Saw-Triangle, and Pulse (with voltage-controlled analog Pulse-Width modulation)
Digital Oscillators select from 96 wavetables from the Prophet-VS (128 x 12 bits), and 32 user-loadable (via MIDI) Wavetables (128 x 16 bits). The Digital Oscillators get trashy as the frequency gets higher, as with the original VS.
Hard Sync on the analog oscillators
FM and Ring Mod on the digital oscillators
Separate Glide per oscillator, with two glide modes
Real voltage-controlled analog lowpass filters - not digital recreations. 4-pole/2-pole switchable, fully resonant (in 4-pole mode). There are two separate filters, one for the left channel and one for the right.
Analog Voltage Controlled Amplifiers (VCA), again one for each channel.
Dual digital 4-pole Highpass filters (one per channel); place before or after analog electronics.
Stereo audio inputs; Noise generator
Envelope Follower and Peak Detect from External Input to use as modulation sources
External Input can be used to gate envelopes and/or step the Sequencer
Three snappy ADSR envelopes
Four LFOs (sync with sequencer and MIDI)
Dual (left and right channel) tunable feedback loops; modulate frequency and amount
Delay with 3 taps; each with separate time and amount modulation. Syncs to sequencer/MIDI. Normal feedback and additional feedback path through analog filters
Distortion! Digital, one for each channel, can be placed before or after analog electronics
4 Banks of 128 Programs for 512 total Programs - dump to/from MIDI
16 x 4 Analog-style sequencer - syncs with MIDI
Extensive Modulation capabilities, including audio-range modulation. Bipolar (+/-) modulation.
A bunch of MIDI stuff
The internal computer and DSP chips can be reprogrammed via MIDI, for easy feature additions
Laatst gewijzigd:
smackos
Gepokt en gemazeld
DCO's zijn toch gewoon VCO's maar dan met een controlle circuitje erbij dat ze tuned...bijna hetzelfde...
...dus om nou DCO synths hybride te gaan noemen....
...dus om nou DCO synths hybride te gaan noemen....
Alex Omega
a.k.a Brainthief
lijkt me ook idd
Acidfever
There's no "I" in denial.
- Lid sinds
- 12 Maart 2004
- Berichten
- 9.068
Ja dat is inderdaad een beetje te ver zoeken denk ik.
Typisch hybride zou denk ik sowieso zijn:
Dave Smith Evolver (2 x DCO 2 x Wavetable OSC) + Analoog en digitaal filter
Denk dat dat het beste voorbeeld is van de typische hybride bak.
Dus elke synth die in zijn architectuur digitale en analoge geluidsopwekking combineerd of in het stukje VCF/VCA digitaal met analoog combineerd.
smackos
Gepokt en gemazeld
Ja dat zijn gewoon analoge oscies in de JX10.
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