Otlen
Lid
Van die site:
Regarding (external) VCF control, you can use “any” CV source. This is why I recommend a (at least small) modular system to all users of monophonic and /or polyphonic analog synths with VCF IN ports. Wide-range LFO, VC decay, step-sequencer, an additional ADSR, a MIDI interface (to get the correct gate / clock signals according to your MIDI setup) … I’d recommend a small Doepfer system (because of the useful A-155 sequencer), but any modular system is suitable, of course. Or other analog gear, such as the KORG SQ-10 sequencer, which I used a lot in the above Juno-60 demos. It’s very simple to clock the Juno arpeggiator via the SQ-10 and – at the same time – use one of the sequencer’s CV-tracks for VCF control … If the arpeggio you play is a 4-note arpeggio, and the external sequencer runs with 9 steps (the SQ-10 row length can be set to any number between 1 and 12), then you end up with interesting minimal music styles in which the two patterns (4-note melody and 9-note VCF control) merge to an endless random-like pattern. Further, I used an external high-frequ LFO to generate those drum-like sounds (VCF frequ control in audio range, at very high resonance settings) … “If” you use 2 external LFOs which control each other (LFO2 modulates – at a low frequ rate – LFO1 speed, which itself runs in audio frequ range and which is used to feed the Juno-60 VCF), then you end up with ringmod-like sounds that drop down to standard-FM modulation effects each time LFO1 speed reaches the lowest frequency, then raising again back up to audio-range, back to that ringmod-like effect. To sum it up: with the help of external modules (LFOs, VC ADSRs, step sequencers) for VCF control, you bring the best out the Juno-60 …
Regarding (external) VCF control, you can use “any” CV source. This is why I recommend a (at least small) modular system to all users of monophonic and /or polyphonic analog synths with VCF IN ports. Wide-range LFO, VC decay, step-sequencer, an additional ADSR, a MIDI interface (to get the correct gate / clock signals according to your MIDI setup) … I’d recommend a small Doepfer system (because of the useful A-155 sequencer), but any modular system is suitable, of course. Or other analog gear, such as the KORG SQ-10 sequencer, which I used a lot in the above Juno-60 demos. It’s very simple to clock the Juno arpeggiator via the SQ-10 and – at the same time – use one of the sequencer’s CV-tracks for VCF control … If the arpeggio you play is a 4-note arpeggio, and the external sequencer runs with 9 steps (the SQ-10 row length can be set to any number between 1 and 12), then you end up with interesting minimal music styles in which the two patterns (4-note melody and 9-note VCF control) merge to an endless random-like pattern. Further, I used an external high-frequ LFO to generate those drum-like sounds (VCF frequ control in audio range, at very high resonance settings) … “If” you use 2 external LFOs which control each other (LFO2 modulates – at a low frequ rate – LFO1 speed, which itself runs in audio frequ range and which is used to feed the Juno-60 VCF), then you end up with ringmod-like sounds that drop down to standard-FM modulation effects each time LFO1 speed reaches the lowest frequency, then raising again back up to audio-range, back to that ringmod-like effect. To sum it up: with the help of external modules (LFOs, VC ADSRs, step sequencers) for VCF control, you bring the best out the Juno-60 …
