Equipped with eight channel faders, D-Command is expandable to 24 faders by adding a single 16-channel Fader Module. Each channel strip features a touch-sensitive motorized fader, two multi-purpose rotary encoders, and multiple pushbuttons for quick access to key session parameters.
The ergonomic design of D-Command enables control through the channel strips and includes LCD display, LED ring, and bar-graph meters for visual feedback. D-Command’s intuitive console layout includes a centralized Main Unit for fast access to essential functions. Dedicated EQ and dynamics editing panels, a monitoring section, and other commonly accessed controls are all within easy reach.
XMON Monitoring
To monitor projects, D-Command includes the XMON™ remote, rack-mounted, analog monitor and communications system. With XMON, operators can monitor separate, simultaneous 6-channel mixes (mono to 5.1 surround) as well as three external stereo sources.
Customizable Control
D-Command is easily customized to cater to specific audio production needs. Operators can customize fader controls and create custom track groups independent of how tracks are set up within Pro Tools. A wide range of options for Digidesign I/O components, remote mic preamps, and plug-in effects extend D-Command’s versatility.
The ergonomic design of D-Command enables control through the channel strips and includes LCD display, LED ring, and bar-graph meters for visual feedback. D-Command’s intuitive console layout includes a centralized Main Unit for fast access to essential functions. Dedicated EQ and dynamics editing panels, a monitoring section, and other commonly accessed controls are all within easy reach.
XMON Monitoring
To monitor projects, D-Command includes the XMON™ remote, rack-mounted, analog monitor and communications system. With XMON, operators can monitor separate, simultaneous 6-channel mixes (mono to 5.1 surround) as well as three external stereo sources.
Customizable Control
D-Command is easily customized to cater to specific audio production needs. Operators can customize fader controls and create custom track groups independent of how tracks are set up within Pro Tools. A wide range of options for Digidesign I/O components, remote mic preamps, and plug-in effects extend D-Command’s versatility.




