turtel
ELECTRIC
ben bezig de tb303 in meer sporen te draaien.
het blijft een te gek kastje met ongekend aantal geluiden
accorden van huu wie waren dat ook al weer?
dit zijn 7 tracks geen drums ,ik heb altijd moeiklijkheden met beats, weet iemand daar misschien iets voor
kan wel reasondrums nemen maar liever ander soort sounds alhoewel de breacks en beats wel heel goed zijn
misschien een drumcomputer
wat vinden jullie van het fragment
ook 1 track arp pro soloist
The Pro-Soloist was a single oscillator, monophonic synth and so had limited creative possibilities compared with the Odyssey and the MiniMoog. However, it was a popular synth for live work (as you can imagine) and found favour with a wide range of keyboard players that included Herbie Hancock, Billy Preston, The Enid (who used the Pro-Soloist to great effect in their synthesised orchestrations), Vangelis and also Tony Banks of Genesis who first introduced the synth to the band on the album 'Selling England By The Pound'... in fact, you can begin to understand the appeal of the Pro-Soloist when you listen to the lengthy keyboard solo in 'The Cinema Show' where Banks flicks from preset to preset - such a performance would have been impossible on any other synth of the time, especially live. The Pro-Soloist remained a mainstay of the Genesis sound for many years despite Banks acquiring an ARP 2600 and a host of other synths.
het blijft een te gek kastje met ongekend aantal geluiden
accorden van huu wie waren dat ook al weer?
dit zijn 7 tracks geen drums ,ik heb altijd moeiklijkheden met beats, weet iemand daar misschien iets voor
kan wel reasondrums nemen maar liever ander soort sounds alhoewel de breacks en beats wel heel goed zijn
misschien een drumcomputer
wat vinden jullie van het fragment
ook 1 track arp pro soloist
The Pro-Soloist was a single oscillator, monophonic synth and so had limited creative possibilities compared with the Odyssey and the MiniMoog. However, it was a popular synth for live work (as you can imagine) and found favour with a wide range of keyboard players that included Herbie Hancock, Billy Preston, The Enid (who used the Pro-Soloist to great effect in their synthesised orchestrations), Vangelis and also Tony Banks of Genesis who first introduced the synth to the band on the album 'Selling England By The Pound'... in fact, you can begin to understand the appeal of the Pro-Soloist when you listen to the lengthy keyboard solo in 'The Cinema Show' where Banks flicks from preset to preset - such a performance would have been impossible on any other synth of the time, especially live. The Pro-Soloist remained a mainstay of the Genesis sound for many years despite Banks acquiring an ARP 2600 and a host of other synths.
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