Hans Zimmer?
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Saskija
Het blijft een dure hobby
German-born composer Hans Zimmer is recognized as one of Hollywood’s most innovative musical talents, having first enjoyed success in the world of pop music as a member of The Buggles. The group’s single Video Killed the Radio Star became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV.
Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film My Beautiful Laundrette. He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.
A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Driving Miss Daisy, starring Jessica Tandy and Morgan Freeman.
Having already scored two Best Picture winners, in the early ‘90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony and two Grammy Awards. In total, Zimmer’s work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for “Rainman”, “Gladiator”, “The Lion King”, “As good As It Gets”, “The Preachers Wife”, “The Thin Red Line,” “The Prince Of Egypt” and “The Last Samurai.”
With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ‘think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith and Klaus Badelt.
In 2000 Zimmer scored the music for Gladiator, for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture,” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2, The Road To El Dorado and An Everlasting Piece, directed by Barry Levinson.
Some of his other impressive scores include Pearl Harbor, The Ring,4 films directed by Ridley Scott; Matchstick Men, Hannibal, Black Hawk Down and Thelma & Louise, Penny Marshall’s Riding In Cars With Boys and A League Of Their Own, Quentin Tarantino’s True Romance, Tears Of The Sun, Ron Howard’s Backdraft, Days Of Thunder, Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated “Here I Am.”
At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Mission: Impossible 2, Rain Man, The Lion King, and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."
Last year, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year, Zimmer has scored Nancy Meyers' comedy Something's Gotta Give, the animated Dreamworks film, A Shark's Tale (featuring voices of Will Smith, Renee Zellweger, Robert De Niro, Jack Black and Martin Scorsese), and most recently, Jim Brooks' Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage, Dreamworks' Madagascar and highly anticipated Warner Bros. summer release, Batman Begins.
Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP's Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.
http://www.imdb.com/name/nm0001877/ voor een lijst met soundtracks.
Bij Hans ziet het er zo uit:
Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film My Beautiful Laundrette. He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.
A turning point in Zimmer’s career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Driving Miss Daisy, starring Jessica Tandy and Morgan Freeman.
Having already scored two Best Picture winners, in the early ‘90s Zimmer cemented his position as a pre-eminent talent with the award-winning score for The Lion King. The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony and two Grammy Awards. In total, Zimmer’s work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for “Rainman”, “Gladiator”, “The Lion King”, “As good As It Gets”, “The Preachers Wife”, “The Thin Red Line,” “The Prince Of Egypt” and “The Last Samurai.”
With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers’ guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical ‘think tank.’ This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith and Klaus Badelt.
In 2000 Zimmer scored the music for Gladiator, for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album “Gladiator: More Music From The Motion Picture,” released on the Universal Classics/Decca label. Zimmer’s other scores that year included Mission: Impossible 2, The Road To El Dorado and An Everlasting Piece, directed by Barry Levinson.
Some of his other impressive scores include Pearl Harbor, The Ring,4 films directed by Ridley Scott; Matchstick Men, Hannibal, Black Hawk Down and Thelma & Louise, Penny Marshall’s Riding In Cars With Boys and A League Of Their Own, Quentin Tarantino’s True Romance, Tears Of The Sun, Ron Howard’s Backdraft, Days Of Thunder, Smilla’s Sense Of Snow and the animated Spirit: Stallion Of The Cimarron for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated “Here I Am.”
At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-piece choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Mission: Impossible 2, Rain Man, The Lion King, and The Thin Red Line. The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."
Last year, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Over the past year, Zimmer has scored Nancy Meyers' comedy Something's Gotta Give, the animated Dreamworks film, A Shark's Tale (featuring voices of Will Smith, Renee Zellweger, Robert De Niro, Jack Black and Martin Scorsese), and most recently, Jim Brooks' Spanglish starring Adam Sandler and Tea Leoni (for which he also received a Golden Globe nomination). His upcoming projects include Paramount’s Weatherman starring Nicolas Cage, Dreamworks' Madagascar and highly anticipated Warner Bros. summer release, Batman Begins.
Zimmer’s additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP's Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of 4.
http://www.imdb.com/name/nm0001877/ voor een lijst met soundtracks.
Bij Hans ziet het er zo uit:
Saskija
Het blijft een dure hobby
ff rust ...
Saskija
Het blijft een dure hobby
Hans is anders, want hij heeft geen behang ...
kaihugo
Stamgast
Haha, jezus, daar valt toch niet meer op te werken??
Saskija
Het blijft een dure hobby
Hans zit na te denken over wat hij nu weer zal gaan kopen ...
Saskija
Het blijft een dure hobby
Hans houdt van exclusief ...
Saskija
Het blijft een dure hobby
Hans is altijd onverschrokken, zelfs als de electriciteitsrekening komt ...
Saskija
Het blijft een dure hobby
Hans heeft ook nog wat met The Buggles (van Video Killed the Radiostars) te doen gehad.
"After the band broke up Trevor Horn and Geoff Downes founded the "Buggles". Horn once said that he chose "Buggles" as a name, because he wanted to distance himself from the amateurish punk-bands, he used to produce during the seventies.
"It was the most disgusting name I could think of at that time", he once said.
During daytime, however, Horn still worked as a producer for other bands and as an engineer - very often for 30-second commercial spots composed and arranged by: ....tadaa... the then unknown Hans Zimmer, now oscar winning film score composer-superstar.
Zimmer had left his native Germany for London after finishing school. He played in several unsuccessful bands until he got his first real job, doing commercials for Air Edelle, a company that belongs to George Martin. He started out as a synth programmer, but later got to writing and arranging the whole spots - an experience he later called "good training": "It taught me how to work with people who couldn’t express themselves musically and you would still have to come up with something they wanted." Zimmer later said in an interview with recording-software company Steinberg (link on the links-page).
One day Horn told Zimmer about his Buggles project and invited him to help him out: "I would start working with Trevor at 6 PM, finish at 9 AM to get to my 10:00 session which was actually paying my rent, it was pretty harsh. Trevor was always brilliant and I really learned a lot from him, I learned how to listen."
"Video Killed The Radio Star" was the first and only "own" hit Trevor ever had and the first video played on MTV. It is also probably one of the first songs that shows Trevor Horn's unique ability to make a recording sound "timeless". It still does not sound like 1979. It sounds as if it was made by computers. But, as Trevor Horn often points out, it was all played by hand. The playing alone took more than 12 hours!
Some trivia for you: Even though Hans Zimmer was never an official member of the Buggles, it is him in the video to "Video Killed The Radio Star" in front of the Modular! "
"After the band broke up Trevor Horn and Geoff Downes founded the "Buggles". Horn once said that he chose "Buggles" as a name, because he wanted to distance himself from the amateurish punk-bands, he used to produce during the seventies.
"It was the most disgusting name I could think of at that time", he once said.
During daytime, however, Horn still worked as a producer for other bands and as an engineer - very often for 30-second commercial spots composed and arranged by: ....tadaa... the then unknown Hans Zimmer, now oscar winning film score composer-superstar.
Zimmer had left his native Germany for London after finishing school. He played in several unsuccessful bands until he got his first real job, doing commercials for Air Edelle, a company that belongs to George Martin. He started out as a synth programmer, but later got to writing and arranging the whole spots - an experience he later called "good training": "It taught me how to work with people who couldn’t express themselves musically and you would still have to come up with something they wanted." Zimmer later said in an interview with recording-software company Steinberg (link on the links-page).
One day Horn told Zimmer about his Buggles project and invited him to help him out: "I would start working with Trevor at 6 PM, finish at 9 AM to get to my 10:00 session which was actually paying my rent, it was pretty harsh. Trevor was always brilliant and I really learned a lot from him, I learned how to listen."
"Video Killed The Radio Star" was the first and only "own" hit Trevor ever had and the first video played on MTV. It is also probably one of the first songs that shows Trevor Horn's unique ability to make a recording sound "timeless". It still does not sound like 1979. It sounds as if it was made by computers. But, as Trevor Horn often points out, it was all played by hand. The playing alone took more than 12 hours!
Some trivia for you: Even though Hans Zimmer was never an official member of the Buggles, it is him in the video to "Video Killed The Radio Star" in front of the Modular! "
Riekoes
Ouwe rot
- Lid sinds
- 20 februari 2005
- Berichten
- 621
Sommige dingen vind ik wel goed (zoals The Ring vind ik super), maar sommige ook totaal niet. Ik heb eens een film gezien (weet ff niet welke) met een korte docu over zijn werk voor die film en kreeg toen de indruk dat het een behoorlijke arrogante vent is, maar misschien was dat de momentopname.
Special K
Stamgast
Zijn manier van componeren wordt overigens wel flink nagedaan. Heb gisteren The Island gezien en het intro muziekje deed me meteen aan 2 nummers uit films waarvoor hij de score had gedaan denken. Dus ik dacht meteen dat hij de muziek had geschreven, maar het was dus iemand anders.
Bass
Gepokt en gemazeld
- Lid sinds
- 11 oktober 2002
- Berichten
- 10.063
Origineel geplaatst door Saskija
Hans zit na te denken over wat hij nu weer zal gaan kopen ...
Haha, G-sus!
Nou typisch ,
Zijn hoeveelheid apparatuur is omgekeerd evenredig met het resultaat wat er uit komt...
Ik bedoel, componeren kun je ook op een piano...
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